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Opera Plots I - MDC Faculty Home Pages

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First Produced Paris, 1807<br />

Chief Characters Joseph, Simeon, Benjamin, Jacob, Utobal<br />

THE story of this simple but impressive opera follows very closely upon the Biblical narrative.<br />

Joseph has been sold into Egypt by his brothers; and having saved the country from famine by his<br />

wise forethought he has become the chief governor of Pharoah. In Act 1 he is seen in all his glory,<br />

treated with the highest honour, and known by the name of Cleophas; but in spite of his wonderful<br />

fortune, luxury, and great power, he still pines for the home of his childhood, and for the love of<br />

his old father Jacob, and his favourite brother, Benjamin. He relates to his attendant, Utobal, the<br />

story of the cruel treatment meted out to him by the jealous brothers; and whilst they talk news<br />

comes of the arrival of a party of strangers, who have come to buy corn. Joseph at once recognises<br />

the strangers as his own brothers; but he does not reveal himself to them yet. He soon sees with<br />

pleasure that they are now filled with remorse for their cruel treatment of him; and Simeon, in<br />

particular, is so weighed down by his guilty conscience that he is always grieving. Joseph gives<br />

instructions for the brothers to be well cared for; and after feasting them he accompanies them in<br />

Act 2 to the Hebrew camp, where his deep emotion on beholding his old father, Jacob, and his<br />

young brother, Benjamin, once more, and learning from them how their hearts still yearn for the<br />

lost Joseph, almost causes him to betray himself. He manages, however, to hide his feelings, and<br />

insists on the whole family returning with him to his palace for a great banquet he has ordered to<br />

be prepared. In Act 3 we see the guests arriving, the old, blind patriarch, Jacob, led tenderly by the<br />

young Benjamin; and the other brothers all follow after, and take their places at the feast. Simeon,<br />

however, is now tormented by remorse for his evil deed, the memory of which has been so sharply<br />

revived by the close questions of the great Egyptian Governor; and at last, unable to bear his guilty<br />

conscience longer, he approaches his father, and makes a full confession of the selling of his<br />

brother Joseph. On hearing this, old Jacob is filled with anger and horror at such a heartless crime;<br />

and he pours out upon the brothers his solemn patriarchal curse. At this moment, however, Joseph<br />

reveals his true identity, and magnanimously entreats his father to forgive the brothers, and to<br />

remove the curse he has uttered. Jacob very gladly does so; and the opera closes with the joyful<br />

reunion of the family and their hymn of praise and thanks to God for His wonderful goodness in<br />

the preservation of the lost Joseph in the land of Egypt.<br />

101. LAFRICAINE<br />

Grand <strong>Opera</strong> in Five Acts By Giacomo Meyerbeer<br />

Libretto By Scribe<br />

Chief Characters Selika, Inez, Vasco di Gama, Don Pedro, Nelusko<br />

THE action takes place first in Portugal and after in Africa, the period being towards the end of the<br />

fifteenth century. Inez, daughter of the King of Portugal, is affianced to the great explorer, Vasco<br />

di Gama; and on the opening of the opera she is bewailing his long absence from her side. Her<br />

royal father wishes her to forget the explorer, declaring that he must now be dead, since nothing<br />

has been heard of him for so long a time; and he expresses his wish that she should marry his chief<br />

minister, Don Pedro, who is in love with her. Inez, however, declares she will remain faithful to<br />

her lover; and she is presently overjoyed by the sudden appearance of Vasco di Gama, who has<br />

just returned. He brings news of a new and wonderful country he has discovered, and produces

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