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Opera Plots I - MDC Faculty Home Pages

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lover if she will grant his evil desires and become his; and at last the despairing Tosca consents.<br />

Scarpia declares that a mock execution will have to take place, but that blank cartridges shall be<br />

fired; and Tosca also persuades him to write a passport for herself and her lover to leave the city.<br />

Whilst Scarpia is writing this, Tosca snatches up a knife from the table, and when he flings down<br />

the pen and prepares to embrace her she plunges it into his heart.<br />

In Act 3 Tosca appears at the place of execution and tells her lover of the mock death he is to<br />

feign; for Scarpia had pretended to give the promised instructions to his attendants before signing<br />

her passport, but-alas for poor Tosca ! - he has bidden them make the execution a real one after<br />

all. Cavaradossi therefore parts calmly from his sweetheart when the soldiers come to lead him<br />

forth, and Tosca remains to see him fall, as arranged, intending to escape with him afterwards<br />

when the soldiers have gone. Cavaradossi is put in place and, as the volley rings out, he falls to the<br />

ground and remains motionless, as though dead; and after awhile the soldiers cover him with a<br />

cloth and depart. Then Tosca hastens to her fallen lovers side and eagerly pulls aside the cloth,<br />

awaiting his expected caress; but to her horror she finds that real shot has been used and that he is<br />

dead. As she utters a cry of grief and despair, Spoletta and a crowd of officials enter the courtyard,<br />

full of excitement, having discovered that Scarpia has been killed, and suspecting the singer as his<br />

slayer; but before they can reach her Tosca rushes to the parapet of the tower, and casting herself<br />

over the battlements falls dead on the pavement below.<br />

132. SIGURD<br />

<strong>Opera</strong> in Four Acts By Ernst Reyer<br />

Libretto By Blau and Du Locle<br />

First Produced Brussels, January, 1884<br />

Chief Characters Brunnhilde, Hilda, Sigurd, Gunther, Hagen<br />

THE story of this opera is taken from the ancient Northern legends of the Eddas, and deals with<br />

most of the incidents which are contained in the final portions of Wagners " Ring," the same<br />

characters appearing under slightly different names. Hilda, sister of Gunther, a powerful German<br />

King, is secretly in love with the famous hero Sigurd (which is the same as Siegfried), but she is<br />

betrothed to Attila, King of the Huns, whose alliance is desired by her brother. When Attilas<br />

messengers arrive they are gladly welcomed by Gunther, who feasts them, and fterwards they<br />

relate the story of the Sleeping Valkyrie, Brunnhilde, who lies on a rock, surrounded by re and<br />

waiting for a hero ardent enough to brave the flames and awaken her. Gunther is very eager to<br />

secure the lovely war-maiden as his bride; and whilst he is deciding on his plans a hunting-horn<br />

sounds, and the radiant hero, Sigurd, appears. Hilda, greatly desiring the new-coiners love,<br />

presents him with a horn of wine in which she has mixed a magic potion, and after drinking it<br />

Sigurd at once falls in love with her and asks her hand in marriage. Gunther consents to this, and<br />

to the breaking of his word to Attila, on condition that the hero will aid him in turn to win the<br />

Sleeping Valkyrie; and upon Sigurd agree-ing the pair set out upon their adventure, accompanied<br />

by Hagen, the half-brother of Gunther.<br />

In Act 2 they are shown near Brunnhildes fiery rock, and Sigurd leaves his companions and<br />

proceeds on his adventure alone. He has many struggles with spirits nd other supernatural beings

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