Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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Loving One who shall crush his own evil power utterly, flings the sacred spear at him, it remains<br />
hovering in the air. Parsifal at once boldly seizes it, making the Sign of the Cross; and<br />
immediately the enchanted palace and gardens are demolished by an earthquake, and Parsifal<br />
issues forth triumphant from his temptation. For many years he wanders forth; and then at last,<br />
when grown to perfect manhood by suffering and sorrow, he returns to the domain of the Holy<br />
Grail, where he is seen in Act 3.<br />
He is gladly greeted by Gurmanez, who tells him that Titurel has just died, and that the power of<br />
the Knights is dwindling because the pain-racked Amfortas refuses to perform the sacred rites of<br />
the Love Feast and revealing of the Holy Grail - and, deprived of its revivifying nourishment, they<br />
have no power. The witch-maiden, Kundry, also appears, having, in her moments of release from<br />
the power of Klingsor, devoted herself more lovingly than ever to the service of the Grail Knights,<br />
in atonement for her many sins; and she now performs the humble service of washing the feet of<br />
the wanderer, Parsifal, who announces that he has at last made himself worthy to bring salvation to<br />
the wounded King, and to restore the sacred spear he has wrested from the Sorcerer. His first act<br />
as the Bringer of Salvation is to baptise the humble and repentant Kundry, and then the three enter<br />
the Sanctuary. Here the wounded Amfortas is found in the extremity of agony; but Parsifal touches<br />
his bleeding side with the sacred spear and immediately the wound closes, and the restored King<br />
falls on his knees before his preserver, and pours forth a prayer of praise and gratitude for his<br />
deliverance. Parsifal now assumes the office of King, which is henceforth his right; and as he<br />
performs the ceremony of revealr ing the Holy Grail a dazzling purple light floods the hall, and a<br />
white dove slowly descends and hovers over the head of the rapt Parsifal, whilst the witch-maiden,<br />
Kundry, sinks dying to the ground, at last released from the doom of evil by the noble Knight who<br />
has been strong enough to resist her wiles. Thus is the sacred spear restored to the Sanctuary of the<br />
Holy Grail and salvation brought to its guardians by the " Blameless, Guileless Fool," the true and<br />
simple one, whose purity and faith has overcome temptation, and whose pity for the sufferings of<br />
others has awakened the real spirit of brotherly love.<br />
184. RIENZI<br />
<strong>Opera</strong> in Five Acts By Richard Wagner<br />
Libretto By the Composer (Adapted from Bulwer Lyttons Novel)<br />
First Produced Dresden, October. 1842<br />
Chief Characters Irene, Rienzi. Adriano, Colonna, Orsini<br />
THE scene is laid in Rome during the fourteenth century. Rienzi, an ambitious but noble-hearted<br />
plebeian, has gained much power amongst the people, and receives encouragement from the<br />
Church in his lofty schemes for restoring the ancient power and glory of the Eternal City.<br />
In Act 1 Irene, the fair sister of Rienzi, is insulted by a party of nobles, headed by Orsini and<br />
Colonna, but is rescued by the latters son, Adriano, who is in love with the beautiful girl; and<br />
when Rienzi afterwards learns of the (attempted outrage, he heads a rising of the people against<br />
the oppression of the nobles. Adriano, [although his patrician blood inclines him to side with the<br />
nobles, cannot resist his love for Irene, and so joins the party of Rienzi, who is at first victorious,<br />
overcoming the nobles and forcing them to submit to the authority of the people, over whom he is