Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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amongst the guests, and has also swallowed the fatal draught, thus partaking of poison a second<br />
time by her hand. Having heard her order the attendants to show the coffins prepared for the five<br />
poisoned guests, he demands to be shown the sixth; but, full of grief, Lucrezia quickly offers him<br />
the antidote, entreating him to swallow it instantly, since a moment's delay is dangerous. Gennaro,<br />
however, passionately refuses to be saved, when his friends are even now dying, and he pours<br />
forth the wildest execrations upon the murderess. Then Lucrezia, in utter distraction, reveals her<br />
true relationship to him, and again entreats him to live for her sake; but Gennaro scornfully thrusts<br />
her from him, and, declaring he would rather die than own such a mother, he falls expiring at her<br />
feet. Lucrezia, with a cry of utter despair and remorse, clasps him in her arms; and as her beloved<br />
son draws his last breath, she also, overcome by her emotion and wretchedness, falls beside him,<br />
and as the Duke of Ferraro enters to behold her expected victory, she reveals to him her secret and<br />
expires.<br />
44. TESS.<br />
<strong>Opera</strong> in Four Acts By Frederic d'Erlanger<br />
Libretto adapted from Thomas Hardy's novel "Tess of the d'Urbervilles," by Luigi Illica<br />
First Produced Naples<br />
Chief Characters Tess, Joan, Alec d'Urberville, Clare, Dark-Car, Aby, Toronton<br />
THE scene is laid in " Blackmoor Vale, Wessex," where the Durbeyfield family live in a cottage,<br />
and are in poor circumstances. They owe money to Toronton, who duns them for it. Hearing from<br />
him that they are related to the rich d'Urbervilles, the squires of the district, they make themselves<br />
known to these relations, and the daughter, Tess, is engaged by the great family to help in the<br />
domestic work. She is not happy there, however, being persecuted by the other servants, and by<br />
the attentions of Alec d'Urberville, the unprincipled heir, who, attracted by her handsome looks,<br />
determines to amuse himself with her. Tess proudly disdains his insulting advances, all her<br />
thoughts being with her worried parents and her true sweetheart, Clare; and her coldness enrages<br />
Alec, who determines on her ruin. This he accomplishes when, owing to a cruel trick played upon<br />
her by one of the jealous servants, she is locked out one night. In Act 3. some considerable time<br />
has elapsed, and Tess is once more at home. Here she receives an offer of marriage from her old<br />
sweetheart, Clare, who has never been told of the trouble she has been through, her child having<br />
died; and at first Tess tries to resist her love for him, but finally gives way, and agrees to marry<br />
him, arranging that her father shall first relate to him the story of her misfortune. Durbeyfield,<br />
however, neglects to do his part, and after the pair are married, Tess, unaware of her father's<br />
omission, pro-ceeds to offer grateful thanks to her husband for his kindness and nobility of heart in<br />
making such an un-fortunate woman his wife. Seeing him bewildered, she realises the fact that he<br />
is still in ignorance of her secret; but, nobly determining to undeceive him, she relates the whole<br />
story, protesting her own utter help-lessness in the unhappy affair. Clare, however, has received a<br />
terrible shock, and refuses to believe in her innocence, casting reproaches upon her, and declaring<br />
his inability to receive a fallen woman as his wife; and, full of grief and despair, the unhappy Tess<br />
wanders out into the night, leaving him alone.<br />
45. MARTHA