Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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herself to the Virgin. As Wolfram remains on the hillside, however, Tannhäuser appears in woeful<br />
state and tells his faithful friend that, in spite of all his penances, remorse and repentance, the<br />
Pope, on hearing his humble plea for forgiveness, refuses to grant it to so great a sinner, declaring<br />
that it is as impossible for him to hope for heavenly absolution as for the Holy Staff in his hand to<br />
put forth new leaves. Filled with despair, and seeing no other course but to return to his old evil<br />
ways, Tannhäuser is just invoking the goddess Venus once more, when there passes by the funeral<br />
procession of Elisabeth, who, overcome with grief at the non-return of her beloved one, has just<br />
expired; and at the same time a second band of pilgrims appears on the hillside, bringing the<br />
wonderful news that a miracle has taken place and that the Popes Staff having put forth fresh<br />
green leaves during the night the Holy Father therefore announces heavenly absolu tion for the<br />
repentant sinner. All raise a hymn of thankfulness, and the pardoned Tannhäuser falls dying beside<br />
the bier of his beloved Elisabeth.<br />
190. TRISTAN AND ISOLDA<br />
Grand <strong>Opera</strong> in Three Acts By Richard Wagner<br />
Libretto By the Cormposer (Adapted frorm the old Celtic Legend)<br />
First Produced Munich, June, 1865<br />
Chief Characters Isolda, Brangaena, Tristan, King Mark, Kurvenal, Melot<br />
THE scene is laid on board a vessel, in Cornwall, and in Brittany during the time of the Arthurian<br />
Knights. Act 1 takes place on board a vessel, in which Tristan, a brave and stainless Knight, is<br />
conveying the Irish Princess, Isolda, to Cornwall, to become the bride of his uncle, King Mark, to<br />
whom she has been betrothed against her will. Tristan is himself in love with the beautiful<br />
Princess; but there being a blood feud between them, and owing to his own high sense of honour,<br />
he will not betray his trust by divulging his passion. Isolda is also in love with him; and, furious at<br />
his cold treatment of her, she is about to poison him, when her attendant, Brangaena, horror-struck<br />
at such a deed, changes the fatal draught for one containing a love potion, of which the pair both<br />
partake, unwittingly, and which so inflames their unfortunate passion that they are utterly unable<br />
to control it further, and fall into each others arms in an ecstasy.<br />
Act 2 takes place in the palace gardens of King Mark, to whom Isolda is now united; and here the<br />
unhappy wife enjoys stolen meetings with her lover, Tristan, the passion between the pair being so<br />
great, owing to the magic draught they have swallowed, that they cannot keep apart. At one of<br />
these clandestine meetings, during a royal midnight hunt, the lovers are seen by the Knight, Melot,<br />
who, being jealous of the royal favour shown to Tristan, betrays them to King Mark, whom he<br />
brings upon the scene. The stern and sorrowful reproaches of the noble King fill Tristan with such<br />
grief and despair that he challenges Melot to a duel, in which he is himself mortally wounded.<br />
In Act 3, Tristan has been conveyed by Kurvenal, his faithful henchman, to his own castle in<br />
Brittany, where he lies dying, torn between remorse for his betrayal of his royal master and his<br />
love and longing for Isolda. Kurvenal meanwhile has sent for the latter, who is skilled in the art of<br />
healing; and, when she presently arrives, the lovers are quickly folded in a last passionate<br />
embrace, for the joy of her presence is too much for the wounded man, and he dies in her arms.<br />
King Mark has followed closely on the track of Isolda, having learnt the truth of their love-story