Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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50. NANON<br />
<strong>Opera</strong> Comique in Three Acts By Franz Friedrich Richard Genée<br />
Libretto By Zell<br />
First Produced Vienna, 1877<br />
Chief Characters Nanon, Ninon de l'Enclos, Madame de Maintenon, Grignan (Marquis d<br />
'Aubigné), Marquis de Marsillac, Hector, Louis XIV<br />
THE scene is laid in Paris in the time of Louis XIV. Nanon, the pretty young mistress of an inn,<br />
has gained such a reputation for her beauty and charm that she is visited by many rich and<br />
fashionable people in the city, amongst them being the Marquis de Marsillac, Director of the<br />
Theatre, and his nephew Hector, and the celebrated beauty, Ninon de l'Enclos. The latter goes<br />
because she suspects that her admirer, the Marquis d'Aubigé, admires the pretty inn mistress; but,<br />
on being told that Nanon is betrothed to a drummer named Grignan, she has no further fear.<br />
Grignan, however, is really the Marquis d'Aubigné in disguise, he having really fallen in love with<br />
Nanon, and meaning to steal her away and hide her in some hidden retreat; but, find-ing her bent<br />
on being wedded to him first, he escapes the ceremony by allowing himself to be arrested for<br />
fighting a duel. Nanon is in despair, thinking her lover in danger of death, which is the penalty of<br />
duelling; and she resolves to seek the assistance of Ninon de l'Enclos, whom she knows has<br />
influence at Court. The second act shows us the reception rooms of the luxurious Ninon, and<br />
complications soon arise by the arrival of Nanon, Hector, and d'Aubigné. Nanon, however, does<br />
not come face to face with d'Aubigné, whose recent arrest was merely a make-believe one,<br />
arranged for his benefit by his colonel; but a serious quarrel arises between the young Marquis and<br />
Hector, because of the latter's attentions to Nanon, whom the former, though not anxious to be<br />
united to her, still regards as his pro-perty, and the two go into the garden to fight a duel, Hector<br />
being wounded. D'Aubigné is now really arrested, and in danger of his life; and in the last act,<br />
which takes place in the private chapel of Madame de Maintenon, both Ninon and Nanon visit the<br />
royal favourite, the one to plead for the life of d'Aubigné, and the other for that of Grignan, whom<br />
she has no knowledge is the same person. Marsillac also comes to plead for his nephew, who is<br />
par-doned; and, on Nanon pleading for her sweetheart, the King grants her request, too, as well as<br />
that of Ninon. D'Aubigné, thus liberated, is sent for, and then Nanon recognises him as her<br />
sweetheart. The young Marquis is so conscience-stricken by the whole-hearted devotion and<br />
perfect love of Nanon, that his passion for her is stirred to greater and truer depths; and he now<br />
humbly asks her to become his wife. Nanon gladly admits her love and desire to grant his request,<br />
and the permission of the King and royal favourite having been obtained, the curtain falls upon the<br />
rejoicings of the happy lovers.<br />
51. MERRIE ENGLAND<br />
Comic <strong>Opera</strong> in Two Acts By Edward German<br />
Libretto By Basil Hood<br />
First Produced Savoy Theatre, London, April 2nd, 1902<br />
Chief Characters Queen Elizabeth, Bessie Throckmorton, Jill-All-Alone, The May Queen, Earl of<br />
Essex, Sir Walter Raleigh, Walter Wilkins, Silas Simkins, Long Tom and Big Ben, The Queen's