Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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88. CAVALLERIA RUSTICANA<br />
Tragic <strong>Opera</strong> in One Act By Pietro Mascagni<br />
Libretto By G. Targioni-Tozzetti and G. Manasci, Adapted from Verga 's Drama<br />
First Produced Rome, May, 1890<br />
Chief Characters Santuzza, Lola, Lucia, Turiddu, Alfio<br />
THE scene is laid in Sicily on Easter morning. A young peasant, Turiddu, before going on military<br />
service, has been the sweetheart of the rustic belle, Lola; but on his return he finds the fickle<br />
maiden already married to Aiflo, the carrier. In pique he makes love to another maiden, Santuzza,<br />
who returns his attentions with a deep and abiding passion. Turiddu, however, has no real<br />
affection for the devoted Santuzza, whose honour he has betrayed; and on receiving<br />
encouragement from the flighty Lola to renew his attentions to her, he deserts his new sweetheart<br />
with-out compunction and gladly returns to his first love, Lola, who is ready enough for such a<br />
flirtation, even though well-treated by her husband, who adores his pretty wife. The deserted<br />
Santuzza complains of her ill-treatment to Turiddu's mother, Lucia, the mistress of the inn, telling<br />
the whole of the wretched story of her betrayal, and begging the dismayed mother to intercede for<br />
her with her faithless son. At this moment, however, Turiddu himself appears; and as Lucia retires<br />
within Santuzza approaches her truant lover, and implores him not to cast her aside. Turiddu,<br />
however, is deaf to her reproaches and entreaties; and when she clings passionately to him, he<br />
flings her angrily away from him, so that she falls to the ground, as he hurries away to keep an<br />
appointment with the pretty Lola. When Santuzza recovers, she determines to be revenged by<br />
informing Adfio of his wife's intrigue. This she does; and when the light-hearted, happy Alfio<br />
hears of his beloved Lola's return to her old sweetheart he is filled with despair and deep jealousy.<br />
Consequently, when Turiddu presently appears, in good spirits, after his happy interview with<br />
Lola, and invites his friends to drink with him, Alfio sternly refuses to do so. Turiddu now sees<br />
that Alfio is aware of the intrigue; and he resigns himself to the inevitable with a good grace. Alfio<br />
gives the betrayer of his honour the challenge in true Sicilian fashion by embracing him and biting<br />
his left ear; and then the pair retire to the fields to fight, whilst the terrified Lola is led away by her<br />
friends. Almost immediately some of the rustics rush back with the dread news " Turiddu is slain!"<br />
And as the announcement is made the unhappy Santuzza falls to the ground in a dead swoon. Thus<br />
the "Village Honour" is appeased.<br />
89. IRIS<br />
Japanese <strong>Opera</strong> in Three Acts By Pietro Mascagni<br />
Libretto By Luigi Illica<br />
First Produced Rome, November, 1898<br />
Chief Characters Iris, Osaka, Kyoto, Cieco<br />
THE scene is laid in Japan, where Iris, the lovely daughter of a blind man named Cieco, is playing<br />
with her dolls in true Japanese fashion, and greeting the rising sun in simple terms of joyful<br />
adoration. Though now grown to fair maidenhood, Iris is as simple and innocent of the world as a<br />
little child; and she is kept away from society by her doting father. She is, however, seen by a bold