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Opera Plots I - MDC Faculty Home Pages

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and he bribes Sparafucile, a bravo, to murder the Duke on his next visit to a certain lonely inn.<br />

Sparafuciles sister, Maddalena, however, loves the Duke, who has also paid her attention; and<br />

when he retires for the night, she begs her brother to spare his life. Sparafucile agrees to do so, if<br />

any other stranger shall arrive, whom he may murder instead and pass his dead body off as that of<br />

the Dukes when Rigoletto comes for the sack into which it is to be placed. Meanwhile, Rigoletto<br />

brings Gilda, disguised as a page, to the outside of the inn, bidding her listen at the keyhole to the<br />

tender speeches made by her faithless lover to the pretty Maddalena; but Gilda, in spite of this<br />

proof of his perfidy, still loves the Duke, and refuses to leave the spot, though her father desires to<br />

send her to another city for safety. When Rigoletto retires for a short time, she listens again, and<br />

overhearing the plot to murder the Duke, who has now gone to the chamber upstairs, she<br />

determines to save him. She therefore boldly knocks at the door of the inn; and Sparafucile, on<br />

opening it and seeing as he supposes a youth outside, he stabs the new-coiner on entering. He then<br />

places the still body of the stranger in a sack, which he hands over to Rigoletto when the<br />

hunchback presently appears and demands his victim. Rigoletto drags the sack to the river side,<br />

and is about to cast it into the water, when he hears the voice of the Duke singing gaily as he walks<br />

by in the distance with Maddalena; and furious at the deception which has been played upon him,<br />

he tears open the sack, and is horrified on beholding the pale features of his beloved daughter, who<br />

recovers for a few moments, and then expires in his arms. Over-come with grief and dismay at this<br />

dreadful fulfilment of Monterone s curse, the despairing hunchback falls senseless beside the<br />

corpse of his murdered child.<br />

178. LA TRAVIATA<br />

<strong>Opera</strong> in Three Acts By Guiseppe Verdi<br />

Libretto By Piave (Adapted from Dumas "Dame Aux Camélia")<br />

First Produced Venice, March, 1853<br />

Chief Characters Violetta Valéry, Flora Bervoix, Annina, Alfred Germont, The Elder Germont,<br />

Baron Duphol<br />

THE scene is laid in Paris, and the first act takes place in the house of the beautiful courtesan,<br />

Violetta Valéry, who, although she knows herself to be the victim of the fatal disease of<br />

consumption, and has not long to live, yet determines to indulge in every possible pleasure.<br />

Amongst the guests enjoying her hospitality is Alfred Germont, a young man of good family, from<br />

Provence, who loves her passionately; and Violetta, loving him also, determines to give up her<br />

present life, and retires with him to her country house, where they spend a long time together in<br />

deep happiness. During the absence of Alfred one day, however, his father arrives, and entreats the<br />

courtesan to renounce his son, since her connection with him will bring disgrace on their family,<br />

and already prevents his sister from making a suitable alliance; and Violetta is so overcome by the<br />

evident distress of the elder Germont that she gives him the promise he requires, and, leaving a<br />

letter of farewell to her lover, she returns to Paris and tries to drown her grief in the excitements of<br />

her old life.<br />

In Act 2 Alfred follows her to the house of her friend, Flora Bervoix, who is holding a ball; and<br />

seeing her accepting the attentions of Baron Duphol, a former admirer, he is furious, and thinking<br />

this to be the real reason for her desertion of him he insults her openly before all the guests, and is

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