Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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hiding until the danger shall have passed, but her lover nobly declares he must warn his<br />
companions in the faith, and with a last passionate embrace he rushes forth as the great bell toIls<br />
out the signal for the massacre to begin. In the last act the horrors of the massacre are depicted,<br />
and Raoul, having warned those of his friends whom he could reach, is about to enter a chapel<br />
where a number of them are concealed, when he is joined by his old servant, Marcel, who brings<br />
the news that De Nevers has been killed. As they speak together Valentina comes to them,<br />
beseeching her lover once more to accept her help in escaping the dreadful fate before him; but<br />
finding Raoul firmly resolved to remain faithful to his religion and suffer with his Huguenot<br />
brethren she determines to remain with him, and accepts his belief. As the lovers kneel down to<br />
pray for strength old Marcel solemnly joins their hands and blesses them, and at this moment they<br />
are discovered by a party of the Catholic soldiery, headed by St Bris, who gives the order for them<br />
to be shot down at sight, not knowing that his own fair daughter is amongst them. Raoul and<br />
Valentina fall dead in each others arms, Marcel dropping beside them; and the opera closes with<br />
the frantic grief of St Bris on discovering that his beloved child has been slain by his own<br />
misdirected zeal.<br />
104. THE PROPHET<br />
Grand <strong>Opera</strong> in Five Acts By Giacomo Meyerbeer<br />
Libretto By Scribe<br />
First Produced Paris, April, 1849<br />
Chief Characters Fides, Bertha, John of Leyden, Count Oberthal, Zacarie, Gione, Mathisen<br />
THE action takes place in Holland and Germany, in the time of the rise of the Anabaptists, in<br />
1534. John, a citizen of Leyden, is betrothed to Bertha, a vassal of Count Oberthal; and as the<br />
maiden cannot be taken to Leyden without the consent of the Count, she prepares to make her<br />
request, accompanied by Fides, the mother of John. At this time the Anabaptists, headed by their<br />
leaders, Gione, Zacarie and Mathisen, stir up an insurrection in Holland, and incite the peasants on<br />
the estates of Count Oberthal to rise against their lord. They attack the Counts castle, but are<br />
unsuccessful. Fides and Bertha now appear before the Count with their request for the maiden to<br />
proceed to Leyden to be united to her betrothed; but the Count is struck by the beauty of Bertha,<br />
and being seized with a sudden passion for her, he refuses to grant her request, and causes her to<br />
be retained as a captive, together with Fides.<br />
In Act 2 John of Leyden is discovered in an inn by the Anabaptists, who are greatly impressed by<br />
his likeness to the traditional paintings of the Hebrew King, David; and on learning also that he is<br />
somewhat of a mystic and believes himself to have visions, they show him great reverence, and<br />
entreat him to become their leader, promising him great power and even regal honours. John,<br />
however, has only thought for his beloved Bertha at this time, and refuses to listen to their<br />
persuasions; and at this moment he is alarmed by the entrance of Bertha, who has made her escape<br />
from the castle and seeks protection. John thrusts her into hiding only a moment before the<br />
entrance of Count Oberthal, who, furious at his disappointed passion, demands the lover to<br />
instantly give up the girl, threatening to kill his mother, Fides, whom he has brought with him,<br />
unless his order is obeyed. John is now torn between his filial love for his mother and his passion<br />
for the beautiful Bertha, but finally he agrees to save his mothers life, and so yields up the weeping