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Opera Plots I - MDC Faculty Home Pages

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a depressed state, full of remorse for having deceived the Pirates by telling them that he was an<br />

orphan when such is not the case; and presently Frederic and Mabel appear, the former bidding<br />

farewell to his sweetheart prior to setting out to exterminate the Pirates, in accordance with his<br />

strong sense of duty, although he still cherishes great affection for them. When he is left alone the<br />

Pirates appear, headed by the Pirate King, who comes to inform him that as the papers of his<br />

indentures state that he is bound to serve the band until his twenty-first birthday, and that as he<br />

was born on the 29th of February in Leap Year, he has not nearly served his time, and must return<br />

to them. Frederic is full of dismay; but again his strong sense of duty prevails over all, and he<br />

resolves to go back to his old life. He happens to mention to them that the MajorGenerals<br />

statement to them that he was an orphan was only an excuse to obtain his freedom; and the Pirates<br />

determine to be revenged. They accordingly return at midnight, intending to kidnap the Major-<br />

General; but they are met by a comical company of policemen, who overcome them and are about<br />

to march them all off to prison, when they announce that they are in reality English noblemen in<br />

disguise, having taken up piracy when things went wrong with them. They are therefore released<br />

by the Major-General when they promise to be Pirates no more; and they promptly choose brides<br />

from amongst his pretty daughters and their friends. Since there are therefore no longer any Pirates<br />

for him to exterminate, Frederic remains at home to marry the charming Mabel; and even Ruth<br />

joins in the merriment, since the Sergeant of Police proves too great an attraction for her to resist.<br />

162. PRINCESS IDA; OR, "CASTLE ADAMANT."<br />

Comic <strong>Opera</strong> in Three Acts By Sir Arthur Seymour Sullivan<br />

Libretto By Sir W. S. Gilbert<br />

First Produced London, January, 1884<br />

Chief Characters Princess Ida, Lady Psyche, Lady Blanche, Melissa, Hilarion, King Hildebrand,<br />

King Gama, Florian, Cyril<br />

THIS opera is a mild burlesque on Tennysons "Princess," and a good-natured satire on the "<br />

Advanced Woman." The first act takes place in the Castle of King Hildebrand, who is awaiting the<br />

coming of King Gama with his daughter, Princess Ida, who is to wed Hilarion, the son of<br />

Hildebrand. Gama presently arrives, alone, declaring that his daughter has foresworn marriage and<br />

refuses to leave Castle Adamant, the Womens University she has founded, and of which she is the<br />

head; and Hildebrand is so furious at this breaking of the compact between the two royal families<br />

that he seizes the three sons of Gama and holds them as hostages until the Princess Ida shall be<br />

brought as a bride for his son. Meanwhile Hilarion and his friends, Florian and Cyril, set off for<br />

Castle Adamant, determined to see for themselves if the fair Princess is so stonyhearted as given<br />

out.<br />

Act 2 takes place at Castle Adamant, where the " advanced" ladies are all engaged in various<br />

studies, in which they are chiefly encouraged by the Lady Blanche, the Professor of Abstract<br />

Science, who is the most enthusiastic member of the College, of which she is anxious to secure the<br />

leadership. Hilarion and his two companions get into the sacred precincts by the primitive method<br />

of scaling the high garden wall; and finding a supply of academic robes, they don these and<br />

present themselves as girl-students. They are consequently admitted to the College, agreeing to the<br />

rules with great glee when they find that one of them binds them to love all the inmates. Their

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