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Opera Plots I - MDC Faculty Home Pages

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symbol of Evil; and in revenge for his contemptuous treatment by the Rhine maidens, he suddenly<br />

makes a dash for the rock, and, snatching away the magic gold, departs once more to Nibeiheim,<br />

leaving the nymphs disconsolate.<br />

In Act 2 Wotan, the father of the gods, is seen with Fricka, his wife, gazing upon the mighty<br />

Castle of Refuge, Valhalla, which he has commanded the giants, Fafner and Fasolt, to build for<br />

him, having agreed to give them in payment Freia, the Goddess of Youth. When the giants come<br />

to claim their reward, however, he endeavours to avoid his contract; but when the cunning builders<br />

tell him of Alberichs newfound treasure, and suggest that he shall seize this for their payment<br />

instead, he angrily refuses to demean himself by such an act. The giants thereupon snatch Freia,<br />

and lead her away; but with her departure the gods immediately begin to grow old and decrepit,<br />

since the Golden Apples of Youth are thus removed from their reach. Wotan therefore commands<br />

the giants to return Freia, and now promises to secure for them instead the wealth of Alberich; and<br />

for this purpose he departs to Nibelheim with Loge, the God of Fire.<br />

Act 3 takes place in the Under-world, where Alberich, having forged his Ring of Power, has<br />

gained mastery of the race of gnomes, whom he has compelled to amass for him mighty treasures<br />

and wealth. His brother, Mimi, too, he has reduced to slavery, and forced to make him a magic<br />

cap, or " Tarnhelm," by means of which he can render himself invisible, and transform himself<br />

into the shapes of beasts. Here Wotan and Loge arrive, the latter using his cunning and persuading<br />

Alberich to show them the powers of his wonderful "Tarnhelm." The Gnome, flattered by the<br />

request, puts on the magic cap, and changes himself into sundry beasts, finally taking on the shape<br />

of a toad, in which form he is seized by the two gods, who convey him to the mountain outside<br />

Valhalla.<br />

Here, in Act 4, on regaining his rightful form, they compel him to yield up all his treasures, even<br />

including the "Tarnhelm" and Magic Ring of Power, as the price of his liberty. Alberich, in his<br />

rage, pronounces a deadly curse upon all who shall afterwards possess the Ring, which shall<br />

always bring them misery and death. The giants now take possession of the coveted treasure; but<br />

Wotan refuses to part with the Ring, until urged to do so by Erda, Goddess of the Earth, who<br />

warns him to let it go, since he is already under the curse, and must endeavour to avoid his fate as<br />

long as possible. He therefore gives up the Ring to the two giants, who immediately fight for its<br />

possession, Fasolt being killed; and Wotan, seeing that the curse is already at work, is filled with<br />

gloom until he realises that a great hero, who will spring from a human race of which he will be<br />

the father, will eventually slay Fafner, the possessor of the Ring, and so delay his own fate further.<br />

Comforted by this thought, he takes Fricka by the hand and leads her into Valhalla, across the<br />

rainbow bridge set up by Donner, after a thunderstorm he has sent; and thither they are followed<br />

by the rest of the gods, whilst the song of the Rhine-maidens comes up from below, imploring the<br />

return of their lost treasure.<br />

PART II. THE VALKYRIE<br />

Music Drama in Three Acts By Richard Wagner<br />

Chief Characters Brünnhilde, Sieglinde, Fricka, Siegmund, Wotan, Hunding

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