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Opera Plots I - MDC Faculty Home Pages

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First Produced Paris, August, 1829<br />

Chief Characters Mathilde, Arnold, William Tell, Gessler, Leutold<br />

THE scene is laid in Switzerland, during the thirteenth century, at the time of the persecution of<br />

the Swiss by the tyrannical Austrian Governor, Gessler. The opera opens with the revels attending<br />

a country wedding, which is attended by William Tell, a bold archer, who has already given signs<br />

of his intention to lead a rising of his countrymen against their oppressors. The revels are<br />

interrupted by Leutold, a herdsman, who enters, half-distracted, declaring that he has slain an<br />

Austrian officer, because he has offered insult and outrage to his only daughter; and he seeks the<br />

protection of Tell, who readily renders his aid, and places him in safe hiding. When the Austrian<br />

pursuers appear and find their quarry gone they seize old Melchtal, the village wise man, and<br />

because he refuses to give information of the fugitive, they put him to death, by order of the tyrant<br />

Gessler. Melchtals son, Arnold, is in love with Mathilde, daughter of Gessler; but when he hears<br />

the dreadful news of his fathers murder, his filial duty prevails, and he swears to be revenged for<br />

the old mans death. He therefore joins with Tell, who has gathered the indignant and persecuted<br />

peasants together; and they all swear a solemn oath to attack their cruel oppressor and set their<br />

country free. On hearing of the insurrection, Gessler is furious, and determines to bring the<br />

peasants into further subjection; and in order to discover the ringleaders he sets his hat on a pole<br />

and bids all who pass by to bow down in homage before it. When it comes to Tells turn he proudly<br />

refuses to do homage to the tyrant; and the enraged Gessler, thinking to break his spirit and heart<br />

at the same time, commands him to shoot an arrow at an apple placed upon the head of the archers<br />

own beloved little son. But Tell is a clever archer, and after passionately embracing his son he<br />

takes a calm and careful aim and his arrow splits the apple in two without harming the child. The<br />

people raise the echoes with their acclamations at this remarkable feat, but the glowering Gessler<br />

sees a second arrow half-concealed in Tells clothing, and on learning from the fearless archer that<br />

he would certainly have aimed this at the heart of the tyrant had his first shaft slain his child, the<br />

furious Governor causes him to be cast into prison. But Arnold quickly gathers together a brave<br />

company of those who have sworn to join in the liberation of their country, and they succeed in<br />

storming the prison and rescue Tell, whom they place at their head to lead the insurrection.<br />

Mathilde, meanwhile, has now left the side of her tyrant father and gladly bestows herself upon<br />

Arnold. Tell and his hand slay the cruel oppressor, and finally succeed in bringing freedom to their<br />

country; and the opera closes with the union of the now happy lovers, Arnold and Mathilde.<br />

137. NERO<br />

<strong>Opera</strong> in Four Acts By Anton Gregor Rubinstein<br />

Libretto Jules Barbier<br />

First Produced Hamburg, 1879<br />

Chief Characters Chrysa, Epicharis, Poppoena, Agrippina, Nero, Vindex, Saccus<br />

THE scene is laid in Ancient Rome, and the opera opens in the house of the courtesan, Epicharis,<br />

where a number of licentious Roman lords are gathered. They are presently joined by Vindex,<br />

Prince of Acquitania, who is conspiring with several of his friends against the life of the tyrant<br />

Nero. They are interrupted by the sudden entrance of a beautiful maiden, Chrysa, who is flying<br />

from pursuit by a party of revellers and begs protection. She does not know of her mothers real

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