Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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coquettish maiden, in order to punish her backward lover, shows great favour to the ambassador,<br />
and even announces that she thinks seriously of marrying him, to the great dismay of the<br />
disconsolate Robin and the huge delight of the jolly gobetween. At this moment Sir Despard<br />
arrives in the village, and, recognising Robin as his brother, compels him to return to the Castle<br />
and take on his rightful title, together with the family curse, of which he is himself heartily sick,<br />
and greatly relieved to be rid of. Rose Maybud, though sorry for the fate of her lover, flatly refuses<br />
to wed a " Bold, Bad Baronet," and is inclined to show favour to the released Sir Despard; but the<br />
latter is soon seized upon by Mad Margaret, a village girl whose undoing has provided scope for<br />
one of his daily crimes when under the Witchs Curse.<br />
In Act 2 Robin is found installed at Ruddygore Castle as Sir Ruthven, where, being now under the<br />
family curse, his servant, Adam, is kept constantly busy hunting up daily crimes for him to<br />
commit. The unhappy and bored Wicked Baronet, having had quite enough of crime at the end of<br />
the first week, retires to the Portrait Gallery of the Castle; and here, to his surprise and dismay, the<br />
various dead and gone Murgatroyd Baronets, whose portraits ornament the walls, all come to life<br />
again, and, stepping down from their frames, declare that Robin will presently meet with a terrible<br />
and lingering death unless he at once makes arrangements for the abduction of some unwilling<br />
lady. Finally, however, the brilliant discovery is made that the Baronets of Ruddygore, according<br />
to the correct reading of the curse, can only die by declining to carry out the daily crime;<br />
whereupon the revivified ancestors, realizing that, since they did not refuse to perform the evil<br />
deeds required of them, they ought none of them to have died, and that as the curse has thus never<br />
been properly carried out, it is now null and void. Having, therefore, come back to life they now<br />
refuse to return to their frames; and when the Professional Bridesmaids presently appear on the<br />
scene they pair off very contentedly with them. Mad Margaret and Sir Despard also pair off; and<br />
since Robin, being freed from the curse, can no longer be regarded as a Bad Baronet, Rose<br />
Maybud very gladly consents to marry him, and the scene ends with a merry revel.<br />
164. THE SORCERER<br />
Comic Operetta in Two Acts By Sir Arthur Seymour Sullivan<br />
Libretto By Sir W. S. Gilbert<br />
First Produced London, November, 1877<br />
Chief Characters Lady Sangazure, Aline, Constance, Mrs Partlet, J. W. Wells ( The Sorcerer),<br />
Alexis, Sir Marmaduke Pointdextre, Dr Daly<br />
IN Act 1 the villagers are gathered in the grounds of Sir Marmaduke Pointdextre to witness the<br />
signing of the marriage contract between his son Alexis, and Aline, daughter of the aristocratic<br />
Lady Sangazure, with whom Sir Marmaduke was himself in love in his early youth. Amongst the<br />
merrymakers is Constance, the daughter of Mrs Partlet, the pew-opener; and of all the gay throng<br />
she is the only unhappy one. On inquiring the reason for her sadness Mrs Partlet learns that the girl<br />
has fallen in love with the elderly vicar, Dr Daly; but the worthy doctor is too dense to realise the<br />
conquest he has made, in spite of the broad hints given him by the matchmaking old dame. When<br />
the notary arrives, with Sir Marmaduke and Lady Sangazure, the betrothal contract is signed; and<br />
when the lovers are left alone Alexis tells Aline that, in order to test the working of his pet theory<br />
that love and marriage should always be consummated without any regard to the worldly