Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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In Act 2 Cregan is paying suit to Anne Chute, though haunted by remorse for his desertion of Eily,<br />
whom he still loves; but Danny Mann, whose devotion to his master knows no bounds, determines<br />
to remove Eily by violent means, to leave the coast clear for Hardress's more profitable lovemaking.<br />
He therefore secures one of the young man's gloves from Mrs Cregan, which he uses as a<br />
token to deceive Eily, who believes him when he tells her that Hardress has sent it as a sign he<br />
needs her; and by this means he entices the girl into his boat, and taking her to a lonely part of the<br />
lake where the water enters a hidden cave, he makes her land on a rock, and commands her to give<br />
up her marriage certificate to him. This Eily still refuses to do; and the old boatman, maddened by<br />
her refusal, thrusts her into the water. Myles na Coppaleen, however, is within the cave, which he<br />
uses for his own secret purposes; and mistaking Danny Mann for an otter, in the dim light, he<br />
shoots at him. Then seeing Eily floating in the water, he dives in and rescues her, carrying her to<br />
the cottage of Father Tom, where she is revived and kept hidden. Meanwhile, Hardress is arrested<br />
as an accomplice of Danny Mann, who, having managed to crawl to the shore after being shot by<br />
Myles, makes a dying confession that he has murdered the Colleen Bawn, and, Cregan's glove<br />
being discovered, the young man is also involved. Corrigan, smarting from the snubs dealt out to<br />
him lavishly by Cregan and his mother, has brought the arrest about at the moment Hardress has<br />
arrived at the house of Anne Chute for his wedding with her; but in the midst of the confusion that<br />
ensues Myles na Coppaleen appears on the scene with Eily, alive and well, and introduces her as<br />
Hardress's lawful wife. The soldiers withdraw, and the husband and wife embrace joyfully; and<br />
the abandoned heiress very willingly accepts another suitor, and generously bestows a large sum<br />
of money upon Hardress and his bride, by means of which the interfering Corrigan is satisfied and<br />
sent about his business.<br />
18. BENVENUTO CELLINI<br />
<strong>Opera</strong> in Three Acts By Hector Berlioz<br />
Libretto By Barbier and De Wailly<br />
First Produced Paris, 1838<br />
Chief Characters Teresa, Benvenuto Cellini, Fieramosca, Balducci<br />
THE scene is laid in Rome, in the early part of the sixteenth century, during the time of Pope<br />
Clement VII., the action taking place at the time of the Shrove-tide Carnival. Benvenuto Cellini,<br />
the great sculptor, is in Rome, at work upon his great statue of Perseus, which he has promised to<br />
finish by the end of the Carnival, by command of the Pope. He neglects the work, however, having<br />
fallen in love with Teresa, the fair daughter of Balducci, an old treasurer of the Papal Court; and<br />
most of his time is taken up with love-making, though he is not favoured by the maiden's father,<br />
who desires to wed her to the official sculptor, Fieramosca, for whom Teresa has an<br />
unconquerable aversion. Despising these obstacles to their happiness, Cellini arranges with Teresa<br />
that they shall elope, selecting the night of the Carnival to carry out their design; and they arrange<br />
to meet at a certain spot, Cellini to be disguised as a white monk, while his young student,<br />
Ascanio, is to accompany him in the garb of a Capuchin. Their plans are, however, overheard by<br />
Fieramosca, who determines to frustrate them; but he himself presently gets into trouble, being<br />
unable to escape from the house before the return of Balducci, and on Teresa declaring that a thief<br />
is lurking about, the disappointed suitor is dragged forth and soundly belaboured before he can