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Opera Plots I - MDC Faculty Home Pages

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her transitory suspicions, and next night she makes her way to the balcony, where she has arranged<br />

to meet her lover. Here he quickly joins her, with Figaro; and she is overjoyed to learn that<br />

Lindoro and Almaviva are one and the same person. Upon the appearance of the notary whom<br />

Bartolo has engaged, who now arrives on the scene, the lovers bribe him to take their part, and so<br />

sign the contract he has brought. When Bartolo presently arrives, therefore, he finds his ward<br />

already united to Count Almaviva who, however, pacifies him by permitting him to retain the<br />

ladys dowry, of which he himself has no need.<br />

135. SEMIRAMIDE<br />

Tragic <strong>Opera</strong> in Two Acts By Gioacchini Antonio Rossini<br />

Libretto By Gaetano Rossi (Adapted from Voltaires "Semiramis")<br />

First Produced Venice, February, 1823<br />

Chief Characters Semiramide, Azema, Arsaces, Assur, Idreno, Oroe<br />

THE scene is laid in ancient Babylon. Semiramide, the beautiful and powerful Queen of Babylon,<br />

has murdered her husband, King Minus, and in this dreadful deed she has been helped by Assur,<br />

an ambitious Prince, who aims at securing the throne for himself, being desperately in love with<br />

the passionate Queen, and desirous of wedding her. But Semiramide, having made use of this tool,<br />

disdains to use him again, and treats him with haughty coolness; and she desires to secure for her<br />

new lover one of her bravest warriors, a noble young man named Arsaces, for whom she has<br />

conceived a violent passion. Arsaces is supposed to be a Scythian, being a stranger to Babylon, but<br />

in reality he is the son of Semiramide, being the offspring of an early love intrigue. The fact that<br />

he is her son, however, is unknown to the Queen; and she seeks eagerly to gain his love. Arsaces,<br />

on the contrary, refuses to accept her advances, being in love with one of the royal princesses,<br />

Azema, whom he seeks opportunity to woo. But Semiramide is determined to win him as her<br />

second consort, and when the people gather together in the temple to swear allegiance to their<br />

Queen, she announces to them it is her will that Arsaces shall reign at her side as Consort-King.<br />

Assur is furious at this announcement, and he secretly resolves to murder his unwilling rival. The<br />

people also are astounded that the Queen should choose a plain and unknown warrior as her<br />

consort, even though Arsaces has lately returned from the wars covered with glory, but their<br />

astonishment is changed to awe when suddenly the tomb of Minus is opened and the spirit of the<br />

dead King appears and announces that Arsaces shall indeed succeed him on the throne. Arsaces<br />

has, however, no desire to wed the criminal Queen, and he arranges a meeting with her at midnight<br />

at the tomb of Minus, in order to tell her of his love for Azema. Here they are presently joined by<br />

the jealous Assur, who springs forward to stab Arsaces, but, in the darkness, he slays the Queen<br />

instead. Arsaces, turning upon the unexpected assassin, slays Assur; and when the chief ministers<br />

of Babylon, Idreno and Oroe, now appear, with the other lords, the true birth of Assur is<br />

discovered, and he is at once acclaimed as King, and is united to his beloved Azema.<br />

136. WILLIAM TELL<br />

<strong>Opera</strong> in Three Acts By Gioacchini Antonio Rossini<br />

Libretto By Etienne Joug and H. Bis (Adapted from Schillers Drama)

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