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Opera Plots I - MDC Faculty Home Pages

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the coquette Filina, who soon consoles herself with her other lovers, Laertes and Frederick. When<br />

Mignon recovers, therefore, he succeeds in winning her hand; and when Lotario presently appears<br />

in his rightful garb as an Italian noble it is proved by Mignons production of a girdle and trinket<br />

she has always preserved that she is indeed his long-lost daughter, as he had hoped and believed.<br />

170. EUGÈNE ONEGIN<br />

Grand <strong>Opera</strong> in Three Acts By Peter Ilyitch Tschaikowsky<br />

Libretto By Kashkin (Adapted from Poushkin's Poetic Romance)<br />

First Produced St Petersburg, May, 1877<br />

Chief Characters Tatiana, Olga, Madame Larmna, Philipjewna, Eugène Onegin, Lenski, Prince<br />

Gremin<br />

THE scene is laid in Russia in the present time.<br />

Act 1 opens upon the terrace of Madame Larinas country abode, where the lady of the house is<br />

picking fruit with the old nurse, Philipjewna, and watching her two daughters, Olga and Tatiana,<br />

who are singing and moving about the garden. Olga is lively and merry; but Tatiana is of a more<br />

pensive and sentimental nature. Presently visitors arrive. These are Olgas fiancé, Lenski, and his<br />

friend, Eugène Onegin, whom he introduces to the family, and who is given a hearty welcome.<br />

Onegin is a somewhat blasé man of the world, who has drunk deep of the pleasures of life, and has<br />

lost faith in most things; but his air of gloomy sadness makes him doubly attractive to the dreamy<br />

Tatiana, who at once conceives a violent attachment for him, which deepens as she strolls in the<br />

garden and talks with him. So great is the young girls infatuation that she sits up all night<br />

composing a letter to him, in which she artlessly confesses her love and begs him to meet her in<br />

the garden next day; and this she gives to the old nurse to deliver to the guest. When the pair meet,<br />

however, Onegin, being merely amused at the young girls romantic outburst, coolly declares that<br />

he has only a friendly feeling for her, and he advises her to learn to restrain her emo-tions in<br />

future. This leaves Tatiana overcome with shame at her own foolish conduct, and she endeavours<br />

to avoid Onegin and to bury her love for him.<br />

In Act 2 Madame Larina gives a ball, at which Onegin, for the mere sake of amusement, gets up a<br />

flirtation with Olga, who, being of a merry and somewhat frivolous disposition, very readily<br />

responds, in order to punish her fiancé, Lenski, whose serious passion often bores her; and this so<br />

rouses Lenskis jealousy that he finally challenges his friend. Onegin, seeing that he has gone too<br />

far, and sorry for the trouble he has so carelessly caused, tries to soothe the angry lover; but Lenski<br />

refuses to listen to his protestations and the duel is arranged. In the next scene the duel takes place,<br />

and Lenski falls dead, to the great grief of Onegin, who departs at once, more world-weary than<br />

ever.<br />

In Act 3, which takes place five years later, we are introduced to a brilliant assembly at the Palace<br />

of Prince Gremin; and here Onegin appears, having just returned from his wanderings, during<br />

which he has always been haunted by remorse for having caused the death of his friend Lenski. He<br />

is gloomy and uninterested in the proceedings until Prince Gremin introduces him to his wife, and

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