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Opera Plots I - MDC Faculty Home Pages

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sent to tempt him from is enterprise, but he overcomes all, and dashing through the flames<br />

awakens the sleeping war-maiden with a kiss. The pair instantly fall in love with each other,<br />

Sigurds transitory feeling for Hilda fadiug b efore his great passion; but he remembers his promise<br />

to Gunther and, restraining his feelings, he leads he beautiful Brunnhilde away, keeping a drawn<br />

word between them.<br />

In Act 3 Brunnhilde has been brought in Gunthers palace garden in a deep sleep, and when she<br />

awakens and finds Gunther at her side she accepts his protestations of love, believing him to be the<br />

hero who rescued her. Their betrothal is announced, and at the same time Sigurd claims Hilda, still<br />

determining to keep faith with his friend. But when Brunnhilde, at Gunthers desire, places Hildas<br />

hand in that of Sigurd, her own fingers touch those of the hero and, being thrilled by the touch, she<br />

knows that it is Sigurd whom she loves and who loves her. In the fourth act, therefore, she is<br />

shown stricken with a strange sickness, which is, however, only her passionate and unsatisfied<br />

love for Sigurd; and when Hilda approaches her, wearing a girdle which Sigurd had taken from<br />

her when he awakened her on the rock, a passionate altercation takes place between the pair.<br />

Brunnhilde, by means of a magic charm of her own, obtains the entire love of Sigurd; and<br />

Gunther, now furiously jealous of the hero, whom he declares has played him false, invites him to<br />

go hunting, intending to kill him. Hilda reveals this to Brunnhilde and offers to prevent this deed<br />

of violence if the Valkyrie will renounce the love of the hero; but, even as they confer, the murder<br />

has taken place, and as Sigurds body is brought in and placed upon a burning funeral pyre<br />

Brunnhilde plunges into the flames and perishes beside her dead lover.<br />

133. CRISPINO<br />

Fairy <strong>Opera</strong> Comique in Three Acts By Luigi Ricci<br />

Libretto By Piave<br />

First Produced Venice, 1850<br />

Chief Characters Annetta, a Fairy, Crispino, Dr Fabrizio<br />

ACT 1 introduces us to Crispino, a poor cobbler, who has such difficulty in making both ends<br />

meet that his loving wife, Annetta, helps to bring in a few coppers by singing ballads in the streets.<br />

Although so poor, however, the pair are happy in their love and their children; but at last things get<br />

so bad that Crispino determines to end his life. He is about to drown himself when a fairy<br />

suddenly appears and, giving him a large gift of gold, bids him set up as a doctor, in which<br />

profession he is bound to work wonderful cures, if only he is careful to see that she herself is<br />

nowhere about when he is giving advice. The delighted Crispino follows out the instructions<br />

given, and in Act 2 he is seen as a famous physician working wonderful cures and making a great<br />

fortune. The other doctors of the place are, of course, jealous of his sudden and strange success,<br />

and there are many amusing scenes with them. His sudden change from poverty to wealth,<br />

however, spoils the temper and character of the one-time cobbler, and he grows proud and<br />

snobbish, and when the gentle Annetta invites his old friends to the new fine house he disdains to<br />

recognise them, and turns them all out. This brings on him the disapproval of his fairy<br />

benefactress, who, in Act 3, takes him to her secret cave and tells him that he must prepare for<br />

death in a very short time. The cobbler begs for at least one little half-hour longer in which to bid<br />

farewell to his wife and children, thus proving that his natural loving nature is still stronger than

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