Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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sent to tempt him from is enterprise, but he overcomes all, and dashing through the flames<br />
awakens the sleeping war-maiden with a kiss. The pair instantly fall in love with each other,<br />
Sigurds transitory feeling for Hilda fadiug b efore his great passion; but he remembers his promise<br />
to Gunther and, restraining his feelings, he leads he beautiful Brunnhilde away, keeping a drawn<br />
word between them.<br />
In Act 3 Brunnhilde has been brought in Gunthers palace garden in a deep sleep, and when she<br />
awakens and finds Gunther at her side she accepts his protestations of love, believing him to be the<br />
hero who rescued her. Their betrothal is announced, and at the same time Sigurd claims Hilda, still<br />
determining to keep faith with his friend. But when Brunnhilde, at Gunthers desire, places Hildas<br />
hand in that of Sigurd, her own fingers touch those of the hero and, being thrilled by the touch, she<br />
knows that it is Sigurd whom she loves and who loves her. In the fourth act, therefore, she is<br />
shown stricken with a strange sickness, which is, however, only her passionate and unsatisfied<br />
love for Sigurd; and when Hilda approaches her, wearing a girdle which Sigurd had taken from<br />
her when he awakened her on the rock, a passionate altercation takes place between the pair.<br />
Brunnhilde, by means of a magic charm of her own, obtains the entire love of Sigurd; and<br />
Gunther, now furiously jealous of the hero, whom he declares has played him false, invites him to<br />
go hunting, intending to kill him. Hilda reveals this to Brunnhilde and offers to prevent this deed<br />
of violence if the Valkyrie will renounce the love of the hero; but, even as they confer, the murder<br />
has taken place, and as Sigurds body is brought in and placed upon a burning funeral pyre<br />
Brunnhilde plunges into the flames and perishes beside her dead lover.<br />
133. CRISPINO<br />
Fairy <strong>Opera</strong> Comique in Three Acts By Luigi Ricci<br />
Libretto By Piave<br />
First Produced Venice, 1850<br />
Chief Characters Annetta, a Fairy, Crispino, Dr Fabrizio<br />
ACT 1 introduces us to Crispino, a poor cobbler, who has such difficulty in making both ends<br />
meet that his loving wife, Annetta, helps to bring in a few coppers by singing ballads in the streets.<br />
Although so poor, however, the pair are happy in their love and their children; but at last things get<br />
so bad that Crispino determines to end his life. He is about to drown himself when a fairy<br />
suddenly appears and, giving him a large gift of gold, bids him set up as a doctor, in which<br />
profession he is bound to work wonderful cures, if only he is careful to see that she herself is<br />
nowhere about when he is giving advice. The delighted Crispino follows out the instructions<br />
given, and in Act 2 he is seen as a famous physician working wonderful cures and making a great<br />
fortune. The other doctors of the place are, of course, jealous of his sudden and strange success,<br />
and there are many amusing scenes with them. His sudden change from poverty to wealth,<br />
however, spoils the temper and character of the one-time cobbler, and he grows proud and<br />
snobbish, and when the gentle Annetta invites his old friends to the new fine house he disdains to<br />
recognise them, and turns them all out. This brings on him the disapproval of his fairy<br />
benefactress, who, in Act 3, takes him to her secret cave and tells him that he must prepare for<br />
death in a very short time. The cobbler begs for at least one little half-hour longer in which to bid<br />
farewell to his wife and children, thus proving that his natural loving nature is still stronger than