Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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impending incarceration; and the brother, Lescaut, is also reluctant to throw so fair a life away. He<br />
therefore determines to disobey his instructions, and to use Manons beauty as a means for securing<br />
wealth for them both. To this end he encourages the attentions of Geronte de Ravoir, a rich old<br />
libertine, who has travelled with them in the diligence, and is so attracted by Manons loveliness<br />
that he desires to possess her; and he invites the pair to join him at supper. Des Grieux,<br />
meanwhile, has found means to speak with Manon, and is overjoyed to find in her an answering<br />
sympathy, which also quickly develops into love, and he secures her promise to meet him a little<br />
later. The old roué, Geronte, now determines to elope with Manon that evening, and he arranges<br />
with the landlord of the inn to have a postchaise in readiness at a certain hour. He is pleased on<br />
presently seeing Lescaut closely engaged in gambling with some of the students, and he<br />
endeavours to keep him thus occupied, so that he may abduct Manon the more readily. His<br />
arrangements, however, have been overheard by a friendly student, Edmond, who, having noticed<br />
the quick passion which has sprung up between Des Grieux and Manon, at once informs the<br />
former of the proposed abduction, and advises him to run off with the maiden first, making use of<br />
the carriage which will be in waiting. When Manon presently appears, therefore, Des Grieux<br />
entreats her to fly with him to Paris, and thus escape the convent and also the clutches of the<br />
elderly beau into whose arms she is likely to be driven by her unscrupulous brother; and upon<br />
Manon, after some hesitation, accepting, the lovers jump into the waiting postchaise and drive off,<br />
leaving the deserted Geronte and Lescaut speechless with fury. The latter, however, knowing well<br />
his fair sisters passionate love of luxury and hatred of poverty, bids Geronte not despond, since<br />
Manon may yet be won by him when her student lovers slender means have been spent; and in Act<br />
3 his selfish schemes have triumphed, and Manon is shown living as the mistress of Geronte in a<br />
sumptuous house and surrounded by all the luxuries and extravagances which her pleasure-loving<br />
soul craves for. She has been thus tempted to leave the humble cottage in which she has lived a<br />
short, happy time with the devoted Des Grieux; but in spite of her every whim being gratified by<br />
her elderly admirer, she still loves Des Grieux and pines for him. Lescaut knows this and is<br />
disturbed, not desiring to lose the means of gratifying his own low tastes and love of gambling<br />
which his sisters luxury affords him the means to do; and he therefore seeks out Des Grieux, and<br />
encourages him to gamble desperately and thus secure the wealth which will enable him to win<br />
back the radiant Manon, whom he still so fondly loves. He even arranges an interview between the<br />
pair; but dire misfortune comes of this. As Manon and Des Grieux embrace one another on the<br />
latters arrival at the roués hotel they are interrupted by Geronte himself, who is furious at the sight,<br />
and in revenge he at once denounces Manon to the authorities, and she is condemned to<br />
deportation. Lescaut, for his own selfish ends, endeavours to save her from her awful fate, but he<br />
is unsuccessful. Des Grieux is overcome with grief and despair at the fate which awaits his<br />
beloved one, and rather than be parted from her, when the last chance of rescue has vanished, he<br />
offers himself as a cabin-boy on the vessel which conveys her to America. But even here fate is<br />
still against the lovers, and Manon and Des Grieux are compelled to make a sudden, hurried flight<br />
to escape a worse dan-ger. In the last act they are shown as fugitives in a vast, solitary wilderness,<br />
far from human habitation and aid, and here Manon sinks to the ground dying from exhaustion.<br />
Des Grieux vainly seeks water and refreshment to save her life, but Manon, knowing herself to be<br />
past human aid, calls him to her side once more, and folded in his embrace she expires, declaring<br />
her love for him with her last breath. As the curtain descends, Des Grieux, with a cry of woe, falls<br />
senseless beside the dead body of his beloved Manon-that Manon so fair and so alluring; such a<br />
bewildering contrast of passionate love and dainty coquetry, a sunshine-loving butterfly, with the<br />
heart of a true woman.