Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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THE story is based on Shakespeares Comedy and follows on very similar lines to the libretto of<br />
Nicolais " Merry Wives of Windsor," with some slight alterations in the names and action - Anne<br />
Page in this version appearing as Nannetta, and being represented as the daughter of Ford.<br />
Act 1 takes place in the Inn at Windsor, where Falstaff treats with merriment the complaints of Dr<br />
Caius relating to the tricks played on him by the fat Knights rascally followers, Bardolph and<br />
Pistol. Falstaff then sends the famous duplicate love-letters to the Merry Wives, Mistress Ford and<br />
Mistress Page, who, on receiving them, are very indignant, and arrange their amusing plot to make<br />
a laughing-stock of their old admirer, and to bring on him the righteous wrath of the jealous Ford.<br />
A side plot is also unfolded here, relating to Nannetta, who, though desired by her parents to<br />
accept as a suitor old Dr Caius, is in love with a handsome but poorer lover, Fenton, and<br />
determines to marry the latter at all costs.<br />
Act 2 is taken up with the reception by the lively dames of their elderly would-be lover, Falstaff,<br />
his concealment in the washing-basket on the approach of the jealous husband, and his subsequent<br />
sousing in the river Thames.<br />
In Act 3 the Merry Wives send a further invitation to the jolly old Knight by the hands of Dame<br />
Quickly, who entices him to meet the ladies in Windsor Forest, where they have arranged a<br />
Masque for the better carrying-out of their plot for his undoing. Falstaff accepts the invitation, and<br />
arrives at the rendezvous in the disguise of Herne the Hunter; and here he is assailed by the<br />
colleagues of the Merry Wives, who, in the guise of gnats, wasps, fairies and gnomes, tease, and<br />
pinch, and plague him until he roars for mercy. Finally, having played out the farce, and punished<br />
him well for his ridiculous impudence in posing as the lover of two respectable dames, the ladies<br />
desist, and explanations and mutual pardons follow. Also, the dainty and clever Nannetta has<br />
during the Masque succeeded in eluding her elderly and undesired admirer, Dr Caius, and, joining<br />
her lover, Fenton, she is united to him.<br />
175. THE MASKED BALL<br />
<strong>Opera</strong> in Three Acts By Guiseppe Verdi<br />
Libretto By M. Somma<br />
First Produced Rome, February, 1849<br />
Chief Characters Adelia, Ulrica, Riccardo, Renato, Edgar<br />
THE scene is laid in Boston, Massachusetts, during the Colonial Period. Riccardo, Earl of<br />
Warwick and Governor of Boston, has fallen in love with Adelia, the beautiful young wife of his<br />
Creole Secretary, Renato, who is unaware of this state of affairs. Adelia returns the love of the<br />
Governor ; but, full of dismay at the guilty passion she has conceived, she seeks the aid of Ulrica a<br />
fortune-teller, who bids her gather a certain herb at midnight in a desolate spot. Riccardo<br />
overhears this, having also visited the gipsy in disguise in order to learn his own fate, in spite of<br />
the warnings of Renato that a serious conspiracy against his life is afoot; and he determines to<br />
follow her. The gipsy also prophesies that the governor will shortly be assassinated by the next<br />
person who touches his hand; and it is Renato who, unwittingly, takes his hand on coming to seek