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Opera Plots I - MDC Faculty Home Pages

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and despairing Bertha to the tyrant. Whilst Fides endeavours vainly to comfort her son the<br />

Anabaptists appear again and once more make their offer to the visionary; and John, smarting<br />

under his wrongs, no longer hesitates, but gladly joins them in their rebellion. Fides having<br />

already departed before their entrance, he decides to let her believe that he has been slain, and so<br />

leaves a bloodstained garment behind him; and he then departs with the Anabaptists, who make<br />

him their leader and cause him to be regarded as a prophet.<br />

In Act 3 the Anabaptists are found encamped in the forest near the German city of Miinster, where<br />

provisions are brought to them by skaters over a frozen lake. Amongst the prisoners brought in is<br />

Count Oberthal, who is about to be executed, when John of Leyden interferes, and he agrees to<br />

spare the captives life in return for news of Bertha. Having learnt that she is not only still alive but<br />

is actually in Münster, he calls his forces together, and proceeds to storm the city at once.<br />

Act 4 takes place in a street of the captured city, where Fides appears begging for food, as she<br />

searches for her son, whose bloodstained garments did not deceive her, and whom she believes to<br />

be with the Anabaptists. She is presently joined by Bertha, in a pilgrims dress, who is seeking<br />

means to revenge herself upon the Prophet, who she believes slew her lover, not knowing that he<br />

is in reality John himself, and the pair betake themselves to the Cathedral, where the ceremony of<br />

crowning the victorious Prophet is about to take place. The ceremony commences amidst a scene<br />

of great splendour and pomp, but it is quickly interrupted by the joyful voice of Fides declaring<br />

that the great leader is her son. John does not wish to be recognised by her, being desirous that the<br />

people shall regard him as a Heavenly Messenger, and he repudiates her statement utterly,<br />

commanding his followers to slay him should she continue to assert her relationship. Rather than<br />

that her son should thus lose his life, Fides withdraws her assertion, and is carried away to prison<br />

for her rash declaration. In prison, she is visited by John, upon whom she pours forth strong<br />

reproaches, and whom she finally persuades to realise the wickedness of deceiving the ignorant<br />

people by representing himself to them as a Prophet; and they are soon interrupted by the entrance<br />

of Bertha, who unfolds a plan for destroying the Prophet and his supporters. She is, however, filled<br />

with amazement and despair on discovering that the despised Prophet and her beloved John are<br />

one and the same person; and overcome with grief at the fall of her idol, she stabs herself, and as<br />

she expires pours forth curses upon him. In the last scene the Anabaptist leaders have learnt that<br />

their enemies are about to overpower them, and they basely plan to save their own lives by<br />

betraying their leader. Consequently, when John is holding revel in the palace they enter with the<br />

leaders of the opposing force, including the Bishop of Munster and Count Oberthal; but John has<br />

learnt of their treachery, and has means for revenge at hand. As he is about to be seized a terrific<br />

explosion is heard, and the palace bursts into flames, and John of Leyden, his mother, Fides - who<br />

forgives him ere she dies- and all his enemies die together in the burning palace.<br />

105. ROBERT THE DEVIL.<br />

Grand <strong>Opera</strong> in Five Acts By Giacomo Meyerbeer<br />

Libretto By Scribe and Delavigne<br />

First Produced Paris, November, 1831<br />

Chief Characters Isabella, Alice, Robert Bertram, Raimbaud

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