Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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Burgomaster to dis-cover the true Czar for them from amongst the workers on the wharf. The<br />
Burgomaster is in a great flutter; and, knowing that Peter Michaelow and Peter Ivanow are the<br />
only strangers amongst them, he tries to dis-cover which is the masquerading monarch. After<br />
asking them both a number of questions, he fixes on Peter Ivanow as the disguised Czar; and<br />
finally he slyly promises to help him to gain the hand of the pretty Mary if he will confess his<br />
identity to the ambassadors. Meanwhile the Marquis has already discovered for himself that Peter<br />
Michaelow is the Czar; and, making himself known to him, he is first in the field with the<br />
negotiations he wishes to carry through whilst the English Ambassador is still being hoodwinked<br />
into believing that Peter Ivanow is the royal personage he seeks. Ivanow, having no notion why he<br />
should be suddenly taken for the Czar of All the Russias, is very reluctantly persuaded to confess<br />
the same by the foolish old Burgomaster, who still persists in believing him to be the roving<br />
monarch. A third ambassador now appears, the Russian General Lefort, who has come to advise<br />
his royal master that it is necessary for him to return to the capital; but before going on board the<br />
vessel which has come for him the Czar calls Peter Ivanow aside and gives him a paper, telling<br />
him that it is a pass-port, which he may find useful when he wishes to leave the wharf, since the<br />
deserter is somewhat afraid as to his future. After the Czar has departed quietly to the waiting<br />
vessel, still keeping up his incognito, the fussy Burgomaster brings a crowd of townsfolk to pay<br />
their loyal respects to Peter Ivanow as their monarch; but whilst he is delivering a long-winded<br />
oration cannon shots are heard. The crowd all turn to the shore, their gaze centring on the vessel<br />
on which the supposed Peter Michaelow has just stepped; and they see what a foolish mistake they<br />
have made, as the crew all break out into loyal cheers as they greet their beloved ruler. The<br />
townspeople, however, gladly take up the cry also, very lustily shouting out to the departing<br />
illustrious stranger, " Long live the Czar! " Peter Ivanow is dumbfounded at first on dis-covering<br />
that he has been hobnobbing with the Czar; but his anxiety as to the result of such familiarity is<br />
soon set at rest on opening the supposed passport which his fellow-companion had given him, for<br />
he finds this to be instead a document bestowing upon him a free pardon for his desertion and a<br />
substantial gift of money besides. So, with a free field to the favours of pretty Mary also, Peter<br />
Ivanow feels that he has good cause to bless the name of his companion in labour Peter, the Czar<br />
and the Carpenter.<br />
82. UNDINE<br />
Romantic <strong>Opera</strong> in Four Acts By Albert Lortzing<br />
Libretto Adapted from the Abbé Fouqué's Romance<br />
First Produced Hamburg, 1845<br />
Chief Characters Undine, Bertalda, Huldbrand von Ringstettin, Kühleborn, Tobias the Fisherman,<br />
Veit<br />
THE plot follows on almost exactly the lines of Fouqué's charming romance, the first scene being<br />
laid on the shores of the Danube on the borders of a haunted forest. Huldbrand von Ringstettin, a<br />
noble young knight, has been sent forth to seek adventures by the proud Lady Bertalda, adopted<br />
daughter of a Duke, she having already bestowed her scarf on him at a tournament in token of her<br />
regard, but wishing to make further trial of his bravery before honouring him with her hand. After<br />
meeting with many mysterious folk in the magic forest, Huldbrand seeks a lodging in the cottage<br />
of an old fisherman named Tobias, where he remains some months owing to the spring floods.