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Opera Plots I - MDC Faculty Home Pages

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the unaccustomed and original methods of Music Drama as developed by this great master; and in<br />

the story it unfolds, the character of the narrow-minded, pedantic Beckmesser stands for the<br />

shocked and outraged adherents of the old school, whilst the nature-loving free-souled Walther<br />

stands for the new school represented by Wagner himself. The scene is laid in Nuremberg during<br />

the seventeenth century, where the famous and historical Master-singers are still a great power. In<br />

order to become a Master-singer countless pedantic and pettifogging rules had to be learned and<br />

observed; and the restrictions on free composition were so great that the candidates could not<br />

boast of much originality in their work. During their examination a marker would chalk up every<br />

fault and slip against the established rules; and seven such marks prevented the candidate from<br />

being admitted to the honoured ranks of the Master-singers.<br />

In Act 1 Walther von Stolzing, a gallant and noble young Knight, having fallen in love with Eva,<br />

the beautiful daughter of the rich goldsmith Pogner, desires to wed her; but upon the maiden, who<br />

returns his love, declaring that her father has already offered her hand as a prize to the winner in<br />

the contest of Master-singers to be held on the Festival of St John, the handsome stranger resolves<br />

to enter the competition, since he is a sweet singer, and a true lover of poetry and music. To this<br />

end he seeks information as to the Master-singers methods and rules from Pogners apprentice,<br />

David, who, however, is a giddy youth, and endeavours to scare him with exaggerated descriptions<br />

of the difficulties to be overcome, and who finally rushes off to engage in a frolic with Magdalena,<br />

his sweetheart, who is Evas attendant. Walther nevertheless boldly presents himself for<br />

examination before the Master-singers, who are, however, so greatly shocked by his utter<br />

disregard of their miserable petty rules and restrictions, and so offended by his heated defence of<br />

the free and natural methods he has studied in the secluded woods and dells, that they raise a<br />

chorus of indignation against him. Beckmesser, the pedantic marker, has also scored against the<br />

daring candidate such countless black marks that he is declared to be ignominiously outsung; and<br />

the only person who defends and believes in him is Hans Sachs, the shoemaker, a large-hearted,<br />

broad-minded man, who recognises the true musician in the despised candidate, and determines<br />

that he shall yet secure the prize. The pretty Eva he loves as his own child; and knowing of her<br />

love for Waither, he is eager for her happiness to be consummated. He therefore sets to work to<br />

instruct Walther in the more correct forms of true poetry, and is again delighted at the aptitude and<br />

excellent singing of his gifted pupil, for whom he arranges a beautiful theme for his prize song on<br />

the morrow. He also takes the opportunity of teasing the conceited marker, Beckmesser, who<br />

comes to serenade Eva, whose hand he feels confident of gaining, since he fully expects to be the<br />

winner of the contest; and later on, Beckmesser, seeing the poem on Hans Sachs table, and<br />

considering it better than the one he has composed himself, takes it away, and determines to make<br />

use of it. Walther, however, has already mastered the useful hints given him by the benevolent<br />

Sachs, and has developed his prize song into a most noble composition; and in the last scene, at<br />

the contest on the Festival of St John, he appears in shining armour, full of enthusiasm, and ready<br />

for his trial. Beckmesser, however, in spite of his former conceit and confidence, gives a most<br />

wretched performance, and is obliged to retire, crestfallen; but when Walthers noble song rings<br />

forth, he is listened to with awe and rapt wonder, and as the people revel in the exquisite music he<br />

makes, they at last recognise his genius, and, to the joy of Hans Sachs and Eva, they greet him at<br />

the finish with enthusiastic acclamations of delight. Thus true art and freedom of thought triumph<br />

over convention and pedantry; and Walther, who but a short time since had been refused<br />

admittance to. the ranks of Master-singers, is now awarded the much-coveted Festival prize - the<br />

hand of his beloved Eva.

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