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Opera Plots I - MDC Faculty Home Pages

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able to meet in secret. When the King visits the town presently Mary is chosen to present an<br />

address to him, and receives a gold chain from the monarch; and this rouses still further the<br />

jealousy of Elsie.<br />

In Act 2 Mary and Rudiger meet on the Streckelberg, which is reputed to be haunted by witches,<br />

who are supposed to hold their revels and " Witches Sabbath " there; and here their sweet lovemaking<br />

is seen by the malignant Elsie and her evil companions, who are themselves secret<br />

"witches," and they triumph in the knowledge that it will be easy to accuse Mary of witchcraft<br />

now, since she has been seen on the Streckelberg. The lovers depart, and a violent storm ensues.<br />

In Act 3 Mary has been taken to prison on the charge of witchcraft made by Elsie, and she is<br />

visited in the dungeon by her old father, the Pastor, who brings her a letter from the Commandant,<br />

in which the latter offers to secure her release if she will become his mistress. Mary indignantly<br />

refuses such shameful terms, and the Commandant, full of anger at her refusal, causes her to be<br />

brought at once for trial. Poor Mary declares her innocence, but as she is utterly unable to prove<br />

the source of her recent abundant means - the vein of amber having been closed by the last great<br />

storm - the charge of sorcery is proved against her, and she is ordered to be tortured in order to<br />

make her confess. To save her beloved father the woe of beholding her sufferings Mary now says<br />

boldly that she is a witch, and has had intercourse with the Devil, whom she indicates by gazing<br />

unflinchingly upon the evil Commandant; and she is condemned to be burnt at the stake. The<br />

friendly Claus, however, determines to save her, and he proceeds to the Castle of Ravenstein,<br />

where Count Rudiger has been kept a prisoner by his tyrant father during the time of Marys trial.<br />

The old Count, however, is brought home dead that morning, having been killed by a fall from his<br />

horse, and as the retainers set their young lord free Claus rushes in to tell him of Marys dire peril.<br />

Instantly the Count sets off with his soldiers to seek the aid of the King. Meanwhile, in the<br />

marketplace, Mary is already tied to the stake, though the faggots have not yet been fired, and the<br />

crowd, headed by the triumphant Elsie, are dancing around her, eager to see the witch burn. The<br />

Commandant again makes his base proposals to the half-fainting Mary, and upon her still refusing<br />

he tells her mockingly that she shall yet be his since he has bidden his troops to presently rush<br />

forward and rescue her from the stake, and convey her to his castle, where she will be compelled<br />

to submit to him - not knowing that Elsie, furious that her hated rival should come beneath her<br />

masters roof, has sent the troops off on a wildgoose chase elsewhere. At this moment, however,<br />

Count Rudiger appears with the King, who, hearing the whole story of the amber vein from Mary,<br />

believes in her innocency, and orders her immediate release, declaring that the real witch is Elsie,<br />

who shall be burnt in her stead. But the stake claims no victim that day, for the wretched Elsie is<br />

discovered to be already dead; and the opera closes with the thankful joy of the rescued Mary, who<br />

is united to her lover, Count Rudiger.<br />

194. LURLINE<br />

Romantic <strong>Opera</strong> in Three Acts By Williarm Vincent Wallace<br />

Libretto By Fitzball<br />

First Produced London, February, 1860<br />

Chief Characters Lurline, Ghiva, Count Rudolph, The Baron, The Rhine King

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