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Opera Plots I - MDC Faculty Home Pages

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as they exultingly carry it away a crimson glow appears in the sky - for on Wotan also the Curse of<br />

the Ring has at last fallen for the last time, and the Dusk of the Gods has come. But Mankind<br />

survives, with the knowledge that he is free by the power of his own will and courage, to work out<br />

his own salvation, and that the Curse of Evil has been overcome by the Sacrifice of Love, which<br />

latter gift is bestowed on the world as a priceless boon for all time.<br />

189. TANNHAUSER<br />

Romantic <strong>Opera</strong> in Three Acts By Richard Wagner<br />

Libretto By the Composer (Adapted from an old German Legend)<br />

First Produced Dresden, October, 1845<br />

Chief Characters Elisabeth, Venus, Tannhäuser, Wolfram, Walther, The Landgrave<br />

THE story is based on an old German legend, and the scene is laid in Thuringia, in the early days<br />

of chivalry. Tannhäuser is a famous and respected Minstrel-Knight who, having given way to the<br />

temptations of youth, has sought refuge in the Venusberg, or Hall of Venus, where the beautiful<br />

goddess, surrounded by her court of sirens and nymphs, is represented as holding everlasting<br />

revels, destroying with her voluptuous pleasures the souls of all men who fall under her sway. In<br />

Act Tannhäuser is discovered in this abode of sensual love, having been with the goddess a year;<br />

and now, satiated with such monotonous pleasures, his better nature reasserts itself, so that he<br />

longs to return to earth and to endure once more the ennobling influences of duty and suffering.<br />

Venus exerts all her fascinations to retain her lover; but Tannhäuser succeeds in tearing himself<br />

away from her toils, and secures his freedom. He presently finds himself in a pleasant valley,<br />

where, on offering up a prayer of thanksgiving for his deliverance, he is discovered by the<br />

Landgrave and some of his former companions, the Minstrel-Knights, who all rejoice at beholding<br />

him once more, and persuade him to rejoin their ranks.<br />

In Act 2 Tannhäuser takes part in a grand Tournament of Song in the Palace of the Landgrave,<br />

whose pure and beautiful daughter Elisabeth is to bestow her hand on the victor in the contest, the<br />

subject of which is to be " The Nature and Praise of Love." Elisabeth loves Tannhäuser, who<br />

returns her affection, and was, indeed, her lover in the old days before his fall; and it is fully<br />

expected that the prize will be his. Tannhäuser scornfully disputes the other minstrels ideas of<br />

love, telling them that their cold praise proves they have never experienced the passion; and,<br />

having himself indulged in profane love for a year, his revelations of what he regards as the nature<br />

of love outrages the feelings of the stainless Knights, who, on now learning where he has gained<br />

his forbidden knowledge, are filled with dismay and horror, and they are about to slay him as unfit<br />

to live when Elisabeth interposes to save him from their wrath. Tannhäuser, now awakening from<br />

his passionate outburst and realising too late that his yielding to evil temptation has placed a gulf<br />

between himself and the pure Elisabeth, is filled with despair; and he joins a company of passing<br />

pilgrims, his only hope being that by penance and repentance he may obtain forgiveness for his<br />

sin. Elisabeth prays for his welfare and hopes for his return with the pilgrims; and she daily<br />

watches on the hillside for him with the minstrel, Wolfram, a noble knight who loves her<br />

devotedly, but does not intrude his passion, knowing all her thoughts to be with the absent sinner.<br />

The pilgrims at last return, but Tannhäuser is not with them; and Elisabeth, worn out with<br />

watching and waiting, and believing her lover is now lost to her for ever, solemnly consecrates

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