Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
Opera Plots I - MDC Faculty Home Pages
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circumstance a means of avenging herself upon her rival, hurries away to inform Elvino of what<br />
she has seen, in her haste leaving her kerchief behind; and the Count, overawed by the beauty and<br />
innocency of his sleeping visitant, leaves the room at once, and betakes himself to his château.<br />
Amina reclines upon the bed; and when the spiteful Lisa returns with the villagers, Elvino is<br />
furious at beholding his beloved one in such an equivocal situation, and, upon her awakening,<br />
spurns her, and afterwards accepts the advances of the triumphant Lisa. The villagers, however,<br />
having discovered the identity of the stranger, call upon the Count to declare the innocence of<br />
Amina; and Rudolpho gladly does so, explaining that the maiden is a somnambulist. All believe<br />
him except Elvino, who is, however, at last convinced by the appearance of Amina, once more in a<br />
state of trance, walking across a rickety bridge from a neighbouring mill. She awakens in his arms;<br />
and upon his craving forgiveness for his doubt she gladly grants it. Lisa's kerchief having been<br />
found in the guest-chamber of the inn, she is now looked upon askance; and the interrupted<br />
wedding festivities of Amina and Elvino are continued with great rejoicing.<br />
17. THE LILY OF KILLARNEY<br />
<strong>Opera</strong> By Julius Benedict<br />
Libretto By Boucicault and Oxenford, founded on the former's romantic drama "The Colleen<br />
Bawn"<br />
First Produced Covent Garden, London, February, 1862<br />
Chief Characters Eily O'Connor ("The Colleen Bawn"), Mrs Cregan, Anne Chute, Hardress<br />
Cregan, Danny Mann, Myles na Coppaleen, Corrigan<br />
THE scene is laid in Ireland, in the neighbourhood of Killarney, where young Hardress Cregan,<br />
the master of Torc Cregan, is entertaining his friends. The Cregan estates are heavily involved, a"<br />
middleman," Corrigan, holding a mortgage on them; and during the departure of the gay guests to<br />
witness a horse race by moonlight this" middleman," a low-minded, vulgar man, accosts Mrs<br />
Cregan, insisting that her son must pay court to the heiress of the neighbourhood, Miss Anne<br />
Chute, since a marriage with this lady is the only means they have of retrieving their fortunes and<br />
securing payment to himself. He offers as an alternative, however, the suggestion that he would<br />
accept the hand of Mrs Cregan, who is still attractive; but this suggestion is repelled with dis-gust<br />
by the widow, who promises instead to encourage her son to pay court to Anne Chute. Corrigan<br />
then tells her to prevent her son from visiting Eily O'Connor, "the Colleen Bawn," a beautiful<br />
peasant girl, whom he declares Hardress is attached to; and the call of an old boatman, Danny<br />
Mann, being heard outside, he announces that this devoted adherent of young Cregan has even<br />
now come to take his master to the girl's house. On looking through the open window, and seeing<br />
Hardress board the boat and allow himself to be rowed across the lake, Mrs Cregan is much<br />
distressed, but promises to warn her son to desist from such profitless love-making. In the next<br />
scene, we are taken into the cottage of Eily O'Connor, who lives there under the protection of<br />
Father Tom, a good old priest; and here her peasant lover, honest Myles na Coppaleen, is also<br />
visiting her. Hardress Cregan presently enters; and knowing it to be to his advantage to wed with<br />
the rich heiress, Anne Chute, he endeavours to persuade Eily to part with her marriage certificate<br />
for the pair are already actually married but Eily stoutly refuses to do so, being encouraged in this<br />
course by Father Tom and Myles, though it grieves her to vex her lover. Hardress is furious at her<br />
refusal, and departs in anger, declaring he will never see her again.