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Opera Plots I - MDC Faculty Home Pages

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circumstance a means of avenging herself upon her rival, hurries away to inform Elvino of what<br />

she has seen, in her haste leaving her kerchief behind; and the Count, overawed by the beauty and<br />

innocency of his sleeping visitant, leaves the room at once, and betakes himself to his château.<br />

Amina reclines upon the bed; and when the spiteful Lisa returns with the villagers, Elvino is<br />

furious at beholding his beloved one in such an equivocal situation, and, upon her awakening,<br />

spurns her, and afterwards accepts the advances of the triumphant Lisa. The villagers, however,<br />

having discovered the identity of the stranger, call upon the Count to declare the innocence of<br />

Amina; and Rudolpho gladly does so, explaining that the maiden is a somnambulist. All believe<br />

him except Elvino, who is, however, at last convinced by the appearance of Amina, once more in a<br />

state of trance, walking across a rickety bridge from a neighbouring mill. She awakens in his arms;<br />

and upon his craving forgiveness for his doubt she gladly grants it. Lisa's kerchief having been<br />

found in the guest-chamber of the inn, she is now looked upon askance; and the interrupted<br />

wedding festivities of Amina and Elvino are continued with great rejoicing.<br />

17. THE LILY OF KILLARNEY<br />

<strong>Opera</strong> By Julius Benedict<br />

Libretto By Boucicault and Oxenford, founded on the former's romantic drama "The Colleen<br />

Bawn"<br />

First Produced Covent Garden, London, February, 1862<br />

Chief Characters Eily O'Connor ("The Colleen Bawn"), Mrs Cregan, Anne Chute, Hardress<br />

Cregan, Danny Mann, Myles na Coppaleen, Corrigan<br />

THE scene is laid in Ireland, in the neighbourhood of Killarney, where young Hardress Cregan,<br />

the master of Torc Cregan, is entertaining his friends. The Cregan estates are heavily involved, a"<br />

middleman," Corrigan, holding a mortgage on them; and during the departure of the gay guests to<br />

witness a horse race by moonlight this" middleman," a low-minded, vulgar man, accosts Mrs<br />

Cregan, insisting that her son must pay court to the heiress of the neighbourhood, Miss Anne<br />

Chute, since a marriage with this lady is the only means they have of retrieving their fortunes and<br />

securing payment to himself. He offers as an alternative, however, the suggestion that he would<br />

accept the hand of Mrs Cregan, who is still attractive; but this suggestion is repelled with dis-gust<br />

by the widow, who promises instead to encourage her son to pay court to Anne Chute. Corrigan<br />

then tells her to prevent her son from visiting Eily O'Connor, "the Colleen Bawn," a beautiful<br />

peasant girl, whom he declares Hardress is attached to; and the call of an old boatman, Danny<br />

Mann, being heard outside, he announces that this devoted adherent of young Cregan has even<br />

now come to take his master to the girl's house. On looking through the open window, and seeing<br />

Hardress board the boat and allow himself to be rowed across the lake, Mrs Cregan is much<br />

distressed, but promises to warn her son to desist from such profitless love-making. In the next<br />

scene, we are taken into the cottage of Eily O'Connor, who lives there under the protection of<br />

Father Tom, a good old priest; and here her peasant lover, honest Myles na Coppaleen, is also<br />

visiting her. Hardress Cregan presently enters; and knowing it to be to his advantage to wed with<br />

the rich heiress, Anne Chute, he endeavours to persuade Eily to part with her marriage certificate<br />

for the pair are already actually married but Eily stoutly refuses to do so, being encouraged in this<br />

course by Father Tom and Myles, though it grieves her to vex her lover. Hardress is furious at her<br />

refusal, and departs in anger, declaring he will never see her again.

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