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CLM HD8 - Projector Central

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9. Image menu<br />

Image 9-74<br />

9.5.3 Advanced settings, film mode detection<br />

About film mode detection<br />

This mode detects whether film or video is displayed.<br />

When enabled, the hardware looks for tell-tale signs of 3:2 or 2:2 pull-down sequences. These are the result of converting cinema<br />

material recorded at 24 frames-per-second to the television frequencies of 60 or 50 interlaced fields per second respectively. When<br />

FILM conversion is detected, the original 24 frames-per-second are restored. This avoids deinterlacing artefacts, and results in a<br />

perfect artefact-free display. Note that in some cases (video clips, scrolling newstickers,...) FILM and VIDEO material are mixed<br />

on one screen. This may confuse the detector and cause it to go into FILM restoration mode. This will cause "jaggies" or motion<br />

artefacts. In such cases, disabling FILM mode processing is the best cure.<br />

Film mode detection is only for interlaced sources.<br />

3:2 pull-down<br />

Method used to map the 24 fps of film onto the 30 fps (60 fields) or 25 fps (50 fields), so that one film frame occupies<br />

three video fields, the next two, etc. It means the two fields of every other video frame come from different film frames<br />

making operations such as rotoscoping impossible, and requiring care in editing. Some sophisticated equipment can<br />

unravel the 3:2 sequence to allow frame-by-frame treatment and subsequently re-compose 3:2. The 3:2 sequence<br />

repeats every five video frames and four film frames, the latter identified as A-D. Only film frame A is fully on a video<br />

frame and so exists at one time code only, making it the editable point of the video sequence.<br />

2:2 pull-down<br />

The process of transferring 24-frames/sec film format into video by repeating each frame (used for PAL DVD’s) as two<br />

video fields. ( AD )<br />

Artefacts<br />

Undesirable elements or defects in a video picture. These may occur naturally in the video process and must be<br />

eliminated in order to achieve a high-quality picture. Most common in analog are cross color and cross luminance.<br />

Most common in digital are macroblocks, which resemble pixelation of the video image.<br />

How to set up<br />

1. Press MENU to activate the menus.<br />

2. Use the ▲ or ▼ key to select Image and press ENTER.<br />

3. Use the ▲ or ▼ key to select Advanced settings and press ENTER.<br />

The Advanced settings menu is displayed.<br />

4. Use the ▲ or ▼ key to select Film mode and press ENTER to toggle between [auto] or [off].<br />

86 R59770057 <strong>CLM</strong> <strong>HD8</strong> 15/03/2010

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