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The novel<br />

169<br />

Each serial volume of the novel was accompanied by a key explaining<br />

who the characters were. The novel exposed the corruption of the<br />

worlds of high society and politics, and continued a trend of scandalmongering<br />

which has been a mainstay of popular publishing ever since.<br />

Clearly, lines of demarcation were being drawn, and scandalous<br />

novels were deemed unacceptable, while satiric verse, for a much<br />

more limited readership, could be condoned. But satire, explicitness<br />

in sexual terms, religious questioning and threats to the government’s<br />

status quo were consistently muzzled, and driven out of what was<br />

considered ‘proper’ in literature. Propriety became a key concept in<br />

literature, and was directly related to the critical concerns of the<br />

Augustan, or neo-classical age.<br />

It will be hard for a private history to be taken<br />

for genuine<br />

(Daniel Defoe, A Journal of the Plague Year)<br />

The novels of Daniel Defoe are fundamental to eighteenth-century ways of<br />

thinking. They range from the quasi-factual A Journal of the Plague Year,<br />

an almost journalistic (but fictional) account of London between 1664 and<br />

1665 (when the author was a very young child), to Robinson Crusoe, one<br />

of the most enduring fables of Western culture. If the philosophy of the<br />

time asserted that life was, in Hobbes’s words, ‘solitary, poor, nasty, brutish,<br />

and short’, novels showed ways of coping with ‘brutish’ reality (the plague;<br />

solitude on a desert island) and making the best of it. There was no<br />

questioning of authority as there had been throughout the Renaissance.<br />

Instead, there was an interest in establishing and accepting authority, and<br />

in the ways of ‘society’ as a newly ordered whole.<br />

Thus, Defoe’s best-known heroine, Moll Flanders, can titillate her<br />

readers with her first-person narration of a dissolute life as thief,<br />

prostitute, and incestuous wife, all the time telling her story from the<br />

vantage point of one who has been accepted back into society and<br />

improved her behaviour.<br />

. . . every branch of my story, if duly considered, may be useful<br />

to honest people, and afford a due caution to people of some

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