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Early Greene and Waugh<br />

439<br />

are no easy solutions: Pinkie’s death at the end of Brighton Rock does<br />

not bring his evil influence to an end; the Devil is always with us.<br />

Evelyn Waugh’s career as a novelist, like Graham Greene’s, spanned<br />

the central years of the twentieth century – from the Jazz age to the 1960s.<br />

Waugh’s work may be divided into two periods: in the first period he<br />

wrote brilliant satires on the lives of the wealthy upper classes; in the<br />

second period he explores the place of Catholicism in the modern world<br />

with deep seriousness while always retaining a satirical eye for human<br />

absurdity. His best-known earlier novels are Decline and Fall (1928), Vile<br />

Bodies (1930), and A Handful of Dust (1934). Decline and Fall depicts the<br />

innocent adventures of a young man, Paul Pennyfeather, who becomes a<br />

schoolteacher in a seedy school in North Wales. The novel satirises public<br />

school life (Paul’s fellow teachers are either petty criminals or mad) by<br />

showing how the characters of the ruling classes are formed.<br />

‘Silence!’ said Paul again.<br />

The ten boys stopped talking and sat perfectly still staring at<br />

him. He felt himself getting hot and red under their scrutiny.<br />

‘I suppose the first thing I ought to do is to get your names clear.<br />

What is your name?’ he asked, turning to the first boy.<br />

‘Tangent, sir.’<br />

‘And yours?’<br />

‘Tangent, sir,’ said the next boy. Paul’s heart sank.<br />

‘But you can’t both be called Tangent.’<br />

‘No, sir, I’m Tangent. He’s just trying to be funny.’<br />

‘I like that. Me trying to be funny! Please, sir, I’m Tangent, sir;<br />

really I am.’<br />

‘If it comes to that,’ said Clutterbuck from the back of the room,<br />

‘there is only one Tangent here, and that is me. Anyone else can<br />

jolly well go to blazes.’<br />

Paul felt desperate.<br />

‘Well, is there anyone who isn’t Tangent?’<br />

Four or five voices instantly arose.<br />

‘I’m not, sir; I’m not Tangent. I wouldn’t be called Tangent, not<br />

on the end of a barge pole.’<br />

In Vile Bodies the emptiness and lack of values in the lives of the<br />

‘bright young things’ – the younger generation in the inter-war years –

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