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234 The Romantic period 1789–1832<br />

theory of poetic language. Some would say, for example, that poems<br />

like Simon Lee are too banal, and that in trying to explore the ordinary<br />

feelings of ordinary people in ordinary settings Wordsworth runs the<br />

risk that he will fail to find the style which can elevate the poem into a<br />

memorable and durable artefact. Indeed, when Wordsworth does achieve<br />

poetic heights he does so by using language which is so elevated and<br />

Latinate that it falsifies his theory. An example would be the lines cited<br />

at the beginning of this language note, which in fact mix ‘low’ and<br />

‘high’ styles and in the process chart the ebb and flow of perception<br />

and understanding. The lines also, however, illustrate another basic<br />

paradox of much Romantic poetry: that the poet is forced to use language<br />

to describe experiences which are outside or beyond language.<br />

On the other hand, some critics feel that in groups of poems, such<br />

as the ‘Lucy’ poems published in Lyrical Ballads, Wordsworth comes<br />

very close to achieving his poetic ideals. A frequently cited example is<br />

the poem She Dwelt Among th’ Untrodden Ways, which combines<br />

complexity of insight with simplicity of expression.<br />

KEATS<br />

Beauty is truth, truth beauty, – that is all<br />

Ye know on earth, and all ye need to know<br />

(John Keats, Ode on a Grecian Urn)<br />

John Keats is likewise a poet who reflected on the nature of poetry.<br />

Keats’s letters are important documents and offer many revealing<br />

insights into the nature of poetry and many critical precepts which are<br />

still cited today as a basis for the evaluation of poetry. Keats wrote<br />

that ‘we hate poetry that has too palpable a design upon us’. By this<br />

he means that we distrust poetry which tries overtly to persuade or<br />

convert us to the poet’s point of view. According to this statement,<br />

poetry should be more indirect, communicating through the power of<br />

its images without the poet making his own presence too obvious.<br />

Like other Romantic poets, Keats wrote poems which were<br />

incomplete; unfinished fragments of a larger vision. He also, like other<br />

Romantic artists, died at a very young age before fulfilling his potential

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