11.11.2014 Views

routledge+history+of+literature+in+english

routledge+history+of+literature+in+english

routledge+history+of+literature+in+english

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Woolf and Joyce<br />

425<br />

something of Molly’s excited reverie. The lack of punctuation reflects<br />

the way in which thoughts and ideas merge into one another. This is in<br />

many ways the epitome of the stream of consciousness technique.<br />

Not all the linguistic experiments in the form and structure of the<br />

novel are easy to comprehend and there are places where it is difficult<br />

to follow the stream of consciousness. Neither is there one single<br />

appropriate style. Different characters have different inner lives and<br />

different writers perceive and represent the inner mind in contrasting<br />

ways. In the hands of Modernist writers like Joyce and Woolf, brilliant<br />

insights into the workings of the human mind are revealed which<br />

were not possible within the limits of the nineteenth-century novel<br />

and which have not been consistently surpassed since.<br />

However, James Joyce’s contribution to the development of the<br />

novel in English in the twentieth century goes beyond particular<br />

techniques of formal experimentation. His contribution was a major<br />

one on several levels. Joyce was born in Dublin, educated in Ireland<br />

and spent most of his adult life in Europe, mainly in France, Italy, and<br />

Switzerland. In Europe he was at the centre of literary circles but he<br />

remained, throughout his life of voluntary exile from Ireland, a deeply<br />

Irish writer and he wrote only and always about Dublin. To write<br />

about Dublin and its people was for Joyce to write about all human<br />

experience. Joyce wrote something in each of the principal genres<br />

before concentrating on fiction: Chamber Music and Pomes Penyeach<br />

(poetry); Exiles (play), and Dubliners (short stories).<br />

His first short stories, published in the collection Dubliners (1914),<br />

depict the lives of the ordinary people of the city with clarity and realism.<br />

The stories are carefully organised so that meanings arise not only from<br />

the individual sketches but also from the relations between them. The<br />

best known of these stories – The Dead – is the final one in the sequence,<br />

to which many of the previous stories point. It is a story in which a<br />

husband is shocked out of his self-satisfaction and egotism by learning<br />

of his wife’s love for a young man she had known many years before:<br />

The air of the room chilled his shoulders. He stretched himself<br />

cautiously along under the sheets and lay down beside his wife.<br />

One by one, they were all becoming shades. Better pass boldly into<br />

that other world, in the full glory of some passion, than fade and<br />

wither dismally with age. He thought of how she who lay beside

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!