11.11.2014 Views

routledge+history+of+literature+in+english

routledge+history+of+literature+in+english

routledge+history+of+literature+in+english

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

232 The Romantic period 1789–1832<br />

speaking voice in conversation. The exclamation marks, the use of<br />

italics for emphasis, the steady pace of the rhythm, all serve to express<br />

a quiet speaking voice revealing intimate thoughts.<br />

While some critics have judged that Wordsworth’s later poetry (for<br />

example, long poems such as The Excursion) lacked the vitality of his<br />

earlier work, Coleridge complained that poetic inspiration had deserted<br />

him and he wrote no poetry during the last thirty years of his life.<br />

Instead he dedicated himself to philosophy and to literary criticism. In<br />

1817 he published Biographia Literaria, which contains important<br />

discussion of the workings of the poetic imagination and reveals the<br />

extent of his thinking about the nature of literature. It has become one<br />

of the most influential of works of criticism. Together with Wordsworth’s<br />

Preface to Lyrical Ballads, it also reveals another aspect of the modern<br />

writer: almost simultaneously the writer produces both literary work<br />

and self-conscious critical reflections on that work and on literature in<br />

general. In more ways than one, the Romantics are genuine forerunners<br />

of the Modern movement in literature and the arts.<br />

LANGUAGE NOTE<br />

The ‘real’ language of men<br />

Remuneration! O that’s the Latin word for three farthings.<br />

(William Shakespeare, Love’s Labour’s Lost)<br />

I heard among the solitary hills<br />

Low breathings coming after me, and sounds<br />

Of undistinguishable motion, steps<br />

Almost as silent as the turf they trod.<br />

(William Wordsworth, The Prelude)<br />

In the Preface to Lyrical Ballads (1800; revised 1802) Wordsworth<br />

makes the first theoretical argument in the history of English poetry<br />

for a radical review of the language of poetry. His argument is that<br />

conventional poetic diction should be replaced by a language closer<br />

to the everyday speech of ordinary people. It is an essentially democratic<br />

statement, arguing that ordinary words should be admitted into the<br />

society of the poem. Wordsworth and Coleridge wanted to purify and<br />

renew the language of poetry. From a different starting point Pope

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!