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60199616-flight-to-freedom-african-runaways-and-maroons-in-the-americas

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Acknowledgements<br />

My research for this study was conducted largely <strong>in</strong> <strong>the</strong> Ma<strong>in</strong> Library,<br />

University of <strong>the</strong> West Indies, Cave Hill, <strong>and</strong> <strong>the</strong> Benson Lat<strong>in</strong> American<br />

Collection, University of Texas at Aust<strong>in</strong>. I wish <strong>to</strong> thank <strong>the</strong> staff of <strong>the</strong>se<br />

<strong>in</strong>stitutions, whose courtesy <strong>and</strong> will<strong>in</strong>gness <strong>to</strong> assist me <strong>in</strong> locat<strong>in</strong>g <strong>in</strong>formation<br />

made my task much easier than it might have been. I also wish <strong>to</strong><br />

thank Dr Pedro Welch of <strong>the</strong> University of <strong>the</strong> West Indies, Cave Hill, for<br />

read<strong>in</strong>g <strong>the</strong> manuscript of this work <strong>and</strong> mak<strong>in</strong>g valuable suggestions for<br />

improv<strong>in</strong>g it.<br />

Figures 1 <strong>and</strong> 4 have been used with <strong>the</strong> k<strong>in</strong>d permission of Professor<br />

Jerome H<strong>and</strong>ler, who, along with Michael L. Tuite Jr., has mounted <strong>the</strong> Web<br />

site “The Atlantic Slave Trade <strong>and</strong> Slave Life <strong>in</strong> <strong>the</strong> Americas: A Visual<br />

Record” at http://hitchcock.itc.virg<strong>in</strong>ia.edu/Slavery/<strong>in</strong>dex.html. Figure 7<br />

has been used with permission of Ian R<strong>and</strong>le Publishers; figure 8, with<br />

permission of <strong>the</strong> University of North Carol<strong>in</strong>a Press; figure 9, with permission<br />

of <strong>the</strong> Florida Museum of Natural His<strong>to</strong>ry; figure 17, with permission of<br />

Cambridge University Press; <strong>and</strong> figure 26, with permission of <strong>the</strong> Bris<strong>to</strong>l<br />

Museum/Bris<strong>to</strong>l City Council. I wish also <strong>to</strong> thank Mr Barr<strong>in</strong>g<strong>to</strong>n<br />

Brathwaite of Guyana for his artistic impression of Zabeth.<br />

xi

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