Aphoristic Writings, Notebook, and Letters to a Friend, by Otto ...
Aphoristic Writings, Notebook, and Letters to a Friend, by Otto ...
Aphoristic Writings, Notebook, and Letters to a Friend, by Otto ...
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The criminal invents the snake <strong>and</strong> is afraid of it; but he never dies <strong>by</strong> it. Nothing<br />
ever happens <strong>to</strong> him from outside, only inside: heart attack from the hallucinated<br />
snake.<br />
So the criminal also constructs woman as idea (he wants intercourse), but she does<br />
not exist <strong>to</strong> him. He never finds the woman that he seeks because he creates only the<br />
idea of a woman. He can sexually lust after the absolute prostitute (an old woman)<br />
<strong>and</strong> he can love the Madonna (if he wants <strong>to</strong> become pure), but he finds a Madonna<br />
only when he is good; in this moment he creates the Madonna.<br />
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The athlete has strength as an end in itself, without an ethical goal. The athlete<br />
must perish of himself, as the Valhalla-motif expires of itself.<br />
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The snake is proud: it lies only outwardly, not inwardly.<br />
The dog is not proud at all.<br />
The snake strikes surely; the strength of knowledge is greatest in it.<br />
The old maid is the nothing which comes out of woman, who, for ethical reasons,<br />
is no longer met with <strong>by</strong> the man who creates her. She goes completely <strong>to</strong> ruin.<br />
The moon is the dream; the sleepwalker is the dreamer become unfree.<br />
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Epilepsy enters after the swallowing of all evil, upon the last renouncement of<br />
introspection.<br />
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Every vic<strong>to</strong>ry of the Good in one person helps others of itself.<br />
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