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Aphoristic Writings, Notebook, and Letters to a Friend, by Otto ...

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And whoever should still not know even now what is un-Jewish <strong>and</strong> what is<br />

Jewish, let him immerse himself in the even-<strong>to</strong>-life awakening Adam of Michelangelo<br />

(in, from the altar wall, the fourth painting of the middle row in the Sistine Chapel), in<br />

that person in whom all lies still as possibility, but also in whom all possibilities truly<br />

lie – with the exception of one: Jewishness!<br />

The Jew is from the beginning: <strong>and</strong> yet he cannot also signify an end. He is<br />

between beginning <strong>and</strong> end. Beginning <strong>and</strong> end, however, mean “action”. For that<br />

reason the Jew knows trade, not action.<br />

*<br />

*<br />

The Jew is obtrusive <strong>to</strong>ward Christ. Christ did not ride on a donkey for nothing.<br />

Donkey-cult among the Jews. The Jew is the castigation of the donkey: he is not<br />

stupid at all. That the Jews are now emerging in Germany is concomitant with the<br />

German “Michael” 41 . The Jew posseses all evil attributes, yet in a particular form: he<br />

smiles like the stupidity whose ethical correlate he is. Stupidity smiles at wisdom; the<br />

Jew smiles at Good. With this he places himself beside Good. He shows how even<br />

smiling can also be immoral.<br />

It is immoral <strong>to</strong> ask, <strong>to</strong> beseech.<br />

Howling gale in Macbeth: fate conquers <strong>and</strong> devours man.<br />

The man who fails in suicide? He is the complete criminal, because he wants life<br />

in order <strong>to</strong> revenge himself. All evil is revenge!<br />

41<br />

From a German play called “Das Kalte Herz”. “The deutsche Michel” is the plain, honest, muchenduring,<br />

but slow, German. [Trans]<br />

*<br />

*<br />

*<br />

69

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