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Notes from Underground by Fyodor Dostoevsky, translated from the Russian by Constance Garnett. A Passenger from the West by Nabile Farès, translated from the French by Peter Thompson. Montauk by Max Frisch, translated from the German by Robin Skelton. Love in the Time of Cholera by Gabriel García Márquez, translated from the Spanish by Edith Grossman. Desert Blood: The Juárez Murders by Alicia Gaspar de Alba, translated from the English into Spanish by Rosario Sanmiguel. Dead Souls by Nikolai Gogol, translated from the Russian by Richard Pevear and Larissa Volokhonsky, Robert Maguire, or Donald Rayfield. The Tin Drum by Günter Grass, translated from the German by Breon Mitchell. The Valley by Rolando Hinojosa, translated from the Spanish by the author. The Odyssey by Homer, translated from the Ancient Greek by Charles Stein. Too Loud a Solitude by Bohumil Hrabal, translated from the Czech by Michael Henry Heim. “I, too, Sing America” by Langston Hughes, translated from the English into Spanish by Fernández de Castro. Spring Essence: The Poetry of Ho Xuan Huong, translated from the Nom by John Balaban. The Rubáiyát of Omar Khayyám, translated from the Persian by Edward FitzGerald. The Joke by Milan Kundera, translated from the Czech by Michael Henry Heim. Nada by Carmen Laforet, translated from the Spanish by Edith Grossman. Barabbas by Pär Lagerkvist, translated from the Swedish by Alan Blair. Osip Mandelstam: Selected Poems, translated from the Russian by David McDuff. Your Face Tomorrow by Javier Marías, translated from the Spanish by Margaret Jull Costa. Winnie-the-Pooh by A.A. Milne, translated from English to Polish by Irena Tuwim. The Art of Empathy: Celebrating Literature in Translation 77
Life, a User’s Manual by Georges Perec, translated from the French by David Bellos. State of Exile by Cristina Peri Rossi, translated from the Spanish by Marilyn Buck. Eugene Onegin by Alexander Pushkin, translated from the Russian by James Falen. “Archaic Torso of Apollo,” by Rainer Maria Rilke, translated from the German by Stephen Mitchell. Late into the Night: The Last Poems of Yannis Ritsos, translated from the Greek by Martin McKinsey. The Tale of the 1002nd Night by Joseph Roth, translated from the German by Michael Hoffman. Night by Vedrana Rudan, translated from the Croatian by Celia Hawkesworth. If Not, Winter: Fragments of Sappho, translated from the Ancient Greek by Anne Carson. The Book of Monelle by Marcel Schwob, translated from the French by Kit Schluter Austerlitz by W.G. Sebald, translated from the German by Anthea Bell. Maidenhair by Mikhail Shishkin, translated from the Russian by Marian Schwartz. The Book of Blam by Aleksandar Tišma, translated from the Serbo- Croatian by Michael Henry Heim. Anna Karenina by Leo Tolstoy, translated from the Russian by Richard Pevear and Larissa Volokhonsky. Vain Art of the Fugue by Dumitru Tsepeneag, translated from the Romanian by Patrick Camiller. The Art of Peace by Morihei Ueshiba, translated from the Japanese by John Stevens. The Complete Poetry by César Vallejo, translated from the Spanish by Clayton Eshleman. Dante’s Ballad by Eduardo González Viaña, translated from the Spanish by Susan Giersbach-Rascón. The Bible, many translations. 78 National Endowment for the Arts
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patije • 공감의 예술 • Um
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August 2014 National Endowment for
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III. “The Myth of the ‘Three Pe
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Introduction Imagine if no one ever
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With all the obstacles translators
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the strictures of communism, parent
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Choosing a Twin Gregory Pardlo The
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important than what her poems “sa
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Work of Purpose, Work of Joy Charle
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fear must have rippled through soci
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Living With Translation Howard Norm
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to us as the notebooks of novelists
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II.
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language of the original text, turn
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the latter occur, Sylvia has the la
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By stretching the Spanish in every
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An Act of Imagination Philip Boehm
Page 36 and 37: meanings has been given short shrif
Page 38 and 39: Daring and Doubting Russell Scott V
Page 40 and 41: would anyone remember the fact of h
Page 42 and 43: The Sharable Rightness of Meaning E
Page 44 and 45: “I am willing to be rewritten, an
Page 46 and 47: III. The Art of Empathy: Celebratin
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Page 50 and 51: all the translations from 2013. Ins
Page 52 and 53: Like the hunter in the Buru tale, i
Page 54 and 55: Bashō’s masterful haikus. Once t
Page 56 and 57: percent of our submissions being wr
Page 58 and 59: preserve the ethno-dialect of Spani
Page 60 and 61: Trips followed to Estonia, the Neth
Page 62 and 63: Toward an Understanding of Translat
Page 64 and 65: consideration to be rendered from o
Page 66 and 67: Engaging the World Susan Harris Whe
Page 68 and 69: own e-book celebrating the best wor
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Page 72 and 73: close, sympathetic, fallible but al
Page 74 and 75: ecognized for their unique and sali
Page 76 and 77: the only way to learn about writing
Page 78 and 79: translation into one or ten or howe
Page 80 and 81: then translate it on the spot for m
Page 82 and 83: The Art of Empathy Johanna Warren T
Page 84 and 85: The most obvious means we have of a
Page 88 and 89: More Recommendations Suggested publ
Page 90: National Endowment for the Arts 400
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