4.3 496 Practice ACtiVitieS • replaCing parts of algorithms • CorreCting algorithms • analyzing algorithms • Completing algorithms • ConstruCting new algorithms Paragraph 4.3 - Control signals for frequency TESTING • integrated Cross-funCtional projeCt: reverse engineering • integrated Cross-funCtional projeCt: Composing a Brief sound study SUPPORTING MATERIALS • list of <strong>max</strong>/<strong>msp</strong> oBjeCts • Commands, attriButes, and parameters for speCifiC <strong>max</strong>/<strong>msp</strong> oBjeCts • glossary from “Electronic Music and <strong>Sound</strong> Design” Vol. 1 by Alessandro Cipriani and Maurizio Giri © ConTempoNet 2010 - All rights reserved
REFERENCES The decision was made to limit the bibliography in this book to a list of only the most absolutely essential reference works, and, of course, a list of the books and articles cited in the text. A more comprehensive bibliography is available online. CITED REFERENCES Bianchini, R. 2003. Acustica. Unpublished. Bianchini, R. and Cipriani, A. 2001. Il Suono <strong>Virtual</strong>e. Roma: ConTempoNet Casati, R. and Dokic, J. (1994), La Philosophie du Son. Nîmes: Chambon Dodge, C. and Jerse, T.A. (1997), Computer Music: Synthesis, Composition, and Performance. 2 nd Ed. New York, NY: Schirmer Frova, A. (1999), Fisica nella Musica. Bologna: Zanichelli. Grey, J.M. (1975), An exploration of Musical Timbre. Doctoral dissertation. Stanford, CA: Stanford University Grey, J.M. (1977), “Multidimensional Perceptual Scaling of Musical Timbre” Journal of the Acoustical Society of America 61: 1270-1277 Rossing, T. D. (1990, The Science of <strong>Sound</strong>. London: Addison-Wesley Shepard, R.N. (1964), “Circularity in Judgments of Relative Pitch”. Journal of Acoustic Society of America 36: pp.2346-2353 OTHER LITERATURE Alton Everest, F. and Ken Pohlmann. 2009. Master Handbook of Acoustics. New York, NY: McGraw-Hill/TAB Electronics Bianchini, R. and Cipriani, A. 2000. <strong>Virtual</strong> <strong>Sound</strong>. Rome: ConTempoNet Boulanger, R. (ed.). 1999. The Csound Book. Perspectives in Software Synthesis, <strong>Sound</strong> Design, Signal Processing and Programming. Cambridge, MA: MIT Press Chadabe, J. 1997. Electric <strong>Sound</strong>. The Past and Promise of Electronic Music. Upper Saddle River, NJ: Prentice Hall Cook, P. R. 1999. Music, Cognition, and Computerized <strong>Sound</strong>. Cambridge, MA: MIT Press Miranda, Eduardo. (2002). Computer <strong>Sound</strong> Design: Synthesis Techniques and Programming. Oxford: Focal Press Moore, F.R. 1990. Elements of Computer Music. Englewood Cliffs, NJ: Prentice- Hall Puckette, M. 2007. Theory and Techniques of Electronic Music: World Scientific Publishing Roads, C. 1996. Computer Music Tutorial. Cambridge, MA: MIT Press Rocchesso, D. 2004. Introduction to <strong>Sound</strong> Processing. Firenze: Mondo Estremo Uncini, A. 2006. Audio Digitale. Milano: McGraw-Hill Wishart, T. 1994. Audible Design. York: Orpheus the Pantomime Ltd. from “Electronic Music and <strong>Sound</strong> Design” Vol. 1 by Alessandro Cipriani and Maurizio Giri © ConTempoNet 2010 - All rights reserved 525
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