programming with max/msp - Virtual Sound

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4.3 496 Practice ACtiVitieS • replaCing parts of algorithms • CorreCting algorithms • analyzing algorithms • Completing algorithms • ConstruCting new algorithms Paragraph 4.3 - Control signals for frequency TESTING • integrated Cross-funCtional projeCt: reverse engineering • integrated Cross-funCtional projeCt: Composing a Brief sound study SUPPORTING MATERIALS • list of max/msp oBjeCts • Commands, attriButes, and parameters for speCifiC max/msp oBjeCts • glossary from “Electronic Music and Sound Design” Vol. 1 by Alessandro Cipriani and Maurizio Giri © ConTempoNet 2010 - All rights reserved
REFERENCES The decision was made to limit the bibliography in this book to a list of only the most absolutely essential reference works, and, of course, a list of the books and articles cited in the text. A more comprehensive bibliography is available online. CITED REFERENCES Bianchini, R. 2003. Acustica. Unpublished. Bianchini, R. and Cipriani, A. 2001. Il Suono Virtuale. Roma: ConTempoNet Casati, R. and Dokic, J. (1994), La Philosophie du Son. Nîmes: Chambon Dodge, C. and Jerse, T.A. (1997), Computer Music: Synthesis, Composition, and Performance. 2 nd Ed. New York, NY: Schirmer Frova, A. (1999), Fisica nella Musica. Bologna: Zanichelli. Grey, J.M. (1975), An exploration of Musical Timbre. Doctoral dissertation. Stanford, CA: Stanford University Grey, J.M. (1977), “Multidimensional Perceptual Scaling of Musical Timbre” Journal of the Acoustical Society of America 61: 1270-1277 Rossing, T. D. (1990, The Science of Sound. London: Addison-Wesley Shepard, R.N. (1964), “Circularity in Judgments of Relative Pitch”. Journal of Acoustic Society of America 36: pp.2346-2353 OTHER LITERATURE Alton Everest, F. and Ken Pohlmann. 2009. Master Handbook of Acoustics. New York, NY: McGraw-Hill/TAB Electronics Bianchini, R. and Cipriani, A. 2000. Virtual Sound. Rome: ConTempoNet Boulanger, R. (ed.). 1999. The Csound Book. Perspectives in Software Synthesis, Sound Design, Signal Processing and Programming. Cambridge, MA: MIT Press Chadabe, J. 1997. Electric Sound. The Past and Promise of Electronic Music. Upper Saddle River, NJ: Prentice Hall Cook, P. R. 1999. Music, Cognition, and Computerized Sound. Cambridge, MA: MIT Press Miranda, Eduardo. (2002). Computer Sound Design: Synthesis Techniques and Programming. Oxford: Focal Press Moore, F.R. 1990. Elements of Computer Music. Englewood Cliffs, NJ: Prentice- Hall Puckette, M. 2007. Theory and Techniques of Electronic Music: World Scientific Publishing Roads, C. 1996. Computer Music Tutorial. Cambridge, MA: MIT Press Rocchesso, D. 2004. Introduction to Sound Processing. Firenze: Mondo Estremo Uncini, A. 2006. Audio Digitale. Milano: McGraw-Hill Wishart, T. 1994. Audible Design. York: Orpheus the Pantomime Ltd. from “Electronic Music and Sound Design” Vol. 1 by Alessandro Cipriani and Maurizio Giri © ConTempoNet 2010 - All rights reserved 525
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Alessandro Cipriani • Maurizio Gi
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Alessandro Cipriani • Maurizio Gi
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CONTENTS Foreword by David Zicarell
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Electronic Music and Sound Design -
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LEARNING AGENDA 1T PREREQUISITES FO
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1.1 4 Theory sound or sounds that w
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1.1 6 Theory ��
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1.2 8 Theory Let’s look at a tabl
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1.2 10 Theory time (by measuring th
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1.2 12 Theory By the same reasoning
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1.2 14 Theory If the amplitude of a
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1.2 16 Theory 8 140 the threshold o
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1.2 18 Theory 1000 Hz was chosen as
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LEARNING AGENDA 1P PREREQUISITES FO
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1.1 52 Practice Paragraph 1.1 - Fir
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1.2 68 Practice Paragraph 1.2 - Fre
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Interlude A PROGRAMMING WITH MAX/MS
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Interlude A - Programming with Max/
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Page 63 and 64: Interlude A - Programming with Max/
Page 65 and 66: 2T ADDITIVE AND VECTOR SYNTHESIS 2.
Page 67 and 68: Chapter 2T - Additive and vector sy
Page 73 and 74: 2P ADDITIVE AND VECTOR SYNTHESIS 2.
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Page 85 and 86: 3.1 296 Theory dB Fig. 3.1 The spec
Page 87 and 88: 3.1 298 Theory Paragraph 3.1 - Soun
Page 89 and 90: 3.2 300 Theory Paragraph 3.2 - Lowp
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Page 93 and 94: 3.1 358 Practice Make sure to try s
Page 95 and 96: 3.1 360 Practice Fig. 3.6 The rand~
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Page 101 and 102: IB1 424 Practice defined to be the
Page 103 and 104: IB2 426 Practice From this example,
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Page 107 and 108: 4.2 474 Theory In the example, the
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Page 111 and 112: Chapter 4P - Control signals 4.1 CO
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Page 117 and 118: 528 constructive interference, 190,
Page 119 and 120: 530 multislider, 164, 179 multislid
Page 121 and 122: 532 switch, 434, 468 T t (see trigg
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