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Sydney Opera House conservation plan

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–104–Advertising, visual material, 34, 37, 89–91 Curtain of the sun, 38, 70, 92Advice, expert & relevant, 85–86, 96Dawes Point, 3, 4, 9, 10Air conditioning, 30Decision making process, 95–96, 98–100Air intake & exhaust features, 26, 34Defects, removal, 26, 27, see also intrusionsArchival access, 98Defensive works, Bennelong Point, 3–7, 8–11, 32Arrival sequences, 26, 36, 41, 49–50, 61–62Design principles, iv, 31, 43, 44–45, 45–46, 86Artillery, Bennelong Point, 8–9, 10Doors & door furniture, 36, 55, 91–92Artworks of major scale, 37, 92Drainage of podium deck & steps, 56Assembly area under Concert Hall, 28, 30, 39, 45, 71, 81 Drama Theatre, 14, 22, 27, 30, 33, 38, 70, 83Asset management <strong>plan</strong>, 27Drama Theatre foyer, see foyersAwards, 40East Circular Quay, 34, 49Balconies, 36Escalators, 55, 62–64Banners, see advertisingExcavation, 27, 46, 72, 94Bathing house, Bennelong Point, 7Exhibition & display, 90Beams, reinforced concrete,External additions, 46, 51, 72folded, 36, 37, 38, 50, 59, 61, 63, 66, 67, 77, 78, 87–88Facilities, Office of the Director of, 96radial cranked, 36, 37, 63Fencing, 30, 36, 49, 99Bells, 37Ferry docks & landings, 10–11,Bennelong drain, 26, 94Fire protection, 27, 30, 89Bennelong Point, early development, 1–8‘Five Bells’ mural, 92Bennelong’s hut, 1–2, 3Flagpoles, 34, 60Bennelong Restaurant, 28, 38, 76–77Folded beams, see beamsBilly Blue’s house, Bennelong Point, 4Forecourt, 25–26, 33, 34, 36, 45, 46, 47–48, 49, 50, 51,Bollards, 34, 35, 60, 9555, 58–59Box Office foyer, see foyersas venue, 30, 31, 48–49, 99–100Briefs for <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong>, 13–14, 21, 23Forecourt, lower, 25–26, 33, 34, 58, 60, 95Broadwalk, including skirting & supports, 27, 30, 31, Forecourt Restaurant, 2833, 35, 46, 47, 51, 54, 55, 56, 57Fort Macquarie, 5–11, 32venue for hire, 30, 47–48, 55–56, 95, 100Fort Macquarie tram shed, 11–13Broadwalk Theatre, see StudioFountainsBrush Box (Tristania conferta), 37, 38, 67drinking, 35, 60Builders’ sheds & maintenance facilities, 51, 89Lewis, 34Burra Charter, 42, 94FoyersBus layover, removal, 50Box Office, 36, 56, 61, 66, 71, 77, 89Café Mozart, 28, 36Western at Broadwalk level, 30, 31, 38, 45, 54,Carpeting, 37, 7664, 70, 71–72, 81–82, 99Central <strong>Sydney</strong> Heritage Local Environment Plan, 2000, surrounding major auditoria, 20, 36, 37, 45, 67, 7639, 98Funding, 31Central vehicle passage, 39FurnitureChange, management of, 27, 48, 93–100exterior, 34, 35, 55–56, 59–60, 95policies for, 43–46interior, 36, 37, 71Character, exterior, 51–60Garbage & ash cans, 35, 49, 60, 89Character & quality of interiors, 23–24, 41Gatehouse, 34major spaces, 69Glass walls, 17, 20, 27, 36, 37, 38, 45, 53–54‘Wobbly Land’ with white birch panelling, 69–71 Gothic cathedral analogy, 16, 17service areas, 69, 72Gothic (& Gothick) modes, 4, 6–7, 8, 11, 15, 16new areas, 69, 72Government <strong>House</strong> & stables, 6–7, 11Charter of <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Trust, 26, 29Green Room, 38, 70, 79Cladding, precast, 20, 36, 56Hall’s interiors, character and treatment, 41, 43, 44,Cleaning, 86–88, 8945–46, 68, 69–71, 72, 74–75, 76, 79–80, 81–83Coffee & food bars, 34, 47–48Harbour Restaurant, 28, 39Collective memory, 29, 97, 98Harbour tunnel, 25, 26Colour, choice, 51, 52, 55, 56, 60, 72, 75, 76, 77, 78, 86, 87 HeritageColour coding, 72awareness, 28–30, 95–96Compatibility of use, 42, 93impact, 95, 96Competition for <strong>Opera</strong> <strong>House</strong> design, 13–15processes, 95–96, 98–100Concert Hall, formerly major hall, 13, 17, 20, 21, 22, 23, responsibility, 9624, 27, 31, 33, 36, 37, 69–70, 74–75, 99<strong>House</strong>keeping, 37, 47, 75, 86, 89–92Concourse, lower, see forecourt, lowerHybrid ‘outside’ spaces, 45, 68, 69, 70, 71, 76, 77–78, 82Concrete surfaces, treatment of, 50, 86–88Consent authority, 98–99Iconic status, 32Conservation advice, see adviceInclinators, 55, 62Conservation Council, ii, iv, 28, 94, 96–98Interpretation, 100Intrusions, 30, 33, 34–39, 41, 46, 47–50, 52, 56, 59, 63,Conservation <strong>plan</strong>, see also policies70, 71, 73, 77–78, 82, 89–92, 95‘adoption’ or ‘endorsement’ and use, ii, iv, 94, 95, 96importance in <strong>plan</strong>ning process, 28, 29Kristensen interiors, 69, 71–72, 80–81scope, 42, 43Laser projections, 90Construction stages, 17, 23–24Leases and concessions, 30, 47–48, 89, 95, 100Co-ordination of <strong>plan</strong>ning, 46, 64, 72, 75, 93, 95–96 Lifts, 62–63Corporate memory, see collective memoryLighting, including floodlighting, 27, 34, 35, 36, 37, 39,Corridors, 17–18, 38, 39, 70, 7965–68, 70, 89Cost & funding of <strong>Opera</strong> <strong>House</strong>, 14, 15, 18, 23, 24, 27, Local environment <strong>plan</strong>, see Central <strong>Sydney</strong> Heritage28, 29Local Environment Plan, 2000Curtain of the moon, 38, 83, 92Locks, 92, see also door furniture

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