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Million Book Collection - The Fishers of Men Ministries

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FOUNDATION OF THE ROMAN CHURCH 37embodied in colour or in stone as to the part whichPeter had taken in founding the great See wherein hewould deposit his jurisdiction: but that jurisdictionitself is indicated in the rod, the symbol <strong>of</strong> divinepower, given in these paintings and sculptures tothree persons alone, the Incarnate God Himself, Moseswho prefigured Him, and Peter who followed Him.And the work accomplished is conveyed under theimage <strong>of</strong> Moses striking the rock with a fulness and pregnancy<strong>of</strong> meaning such as reminds us <strong>of</strong> our Lord's ownparables, for it would require a great space adequatelyto develop the thoughts suggested by the representation<strong>of</strong> Peter discharging to the new people <strong>of</strong> God functionswhich corresponded to those discharged by Moses whenhe led the typical nation through the desert.At least we may fitly exhibit some <strong>of</strong> the truth conveyedby this speaking symbol, and so elucidate theidea which the Christian artists <strong>of</strong> the third, fourth,and fifth centuries intended to portray. It is theeasier because in their delineation <strong>of</strong> Scripturalscenes "they did not treat them either accurately asfacts <strong>of</strong> history, or freely as subjects <strong>of</strong> the imagination,but strictly with a view to their spiritual meaning."2 <strong>The</strong> transit <strong>of</strong> the Jewish people from theirslavery in Egypt through the wilderness to theirpromised possession is the type <strong>of</strong> the Christian peoplei See Roma Sotterrancce (Northcote and Brownlow), pp. 286-289,and also pp. 302, 303, for a description <strong>of</strong> the remarkable sarcophagusin the Lateran Museum, wherein to three groups above representingour Lord with the rod <strong>of</strong> power changing the water into wine,multiplying the loaves, and raising Lazarus from the dead, thereappear three answering groups below, <strong>of</strong> Peter bearing the rodapprehended by Herod's soldiers, and striking the rock. <strong>The</strong> sameauthors remark that the parallel event in the life <strong>of</strong> St. Paul, hisimprisonment and deliverance at Philippi, is nowhere representedin early Christian art (p. 288).2 Northcote and Brownlow, p. 240.

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