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Note on this edition: this is an electronic version of the 1999 book ...

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94Dem<strong>on</strong>ic Texts <strong>an</strong>d Textual Dem<strong>on</strong>s<strong>on</strong>ce <strong>the</strong> c<strong>on</strong>diti<strong>on</strong> <strong>of</strong> possibility <strong>an</strong>d <strong>the</strong> c<strong>on</strong>diti<strong>on</strong> <strong>of</strong> impossibility <strong>of</strong>truth.” 58The oppositi<strong>on</strong> between speech <strong>an</strong>d writing <strong>is</strong> thus open for dec<strong>on</strong>structi<strong>on</strong>;speech <strong>is</strong> not really <strong>the</strong> aut<strong>on</strong>omous primary term that writing <strong>is</strong>trying to reproduce, but, instead, we have here two kinds <strong>of</strong> writing. The legitimate<strong>on</strong>e (speech) <strong>is</strong> good writing (natural, living, knowledgeable, intelligible,internal, speaking), <strong>an</strong>d st<strong>an</strong>ds linked by its oppositi<strong>on</strong> to its o<strong>the</strong>r(<strong>the</strong> written text) that <strong>is</strong> bad – “moribund, ignor<strong>an</strong>t, external, mute artificefor <strong>the</strong> senses,” as Derrida l<strong>is</strong>ts. 59 Fur<strong>the</strong>rmore, <strong>the</strong>re ex<strong>is</strong>ts a Greek termetymologically closely related to pharmak<strong>on</strong> – pharmakos – that Derrida employsin h<strong>is</strong> reading. Pharmakos has been compared to a scapegoat; it wasused <strong>of</strong> “wizards, magici<strong>an</strong>s, po<strong>is</strong><strong>on</strong>ers,” but also <strong>of</strong> sacrificial victims thatwere cerem<strong>on</strong>iously driven outside <strong>the</strong> city, fustigated (aiming at <strong>the</strong>ir genitalorg<strong>an</strong>s), <strong>an</strong>d sometimes killed to purify <strong>the</strong> city. Th<strong>is</strong> old cerem<strong>on</strong>y wascarried out when a great calamity, like famine or pestilence, threatened <strong>the</strong>city. As a cerem<strong>on</strong>y <strong>of</strong> purificati<strong>on</strong>, it took place at <strong>the</strong> boundary limitingcity from <strong>the</strong> threatening o<strong>the</strong>r; it addresses <strong>the</strong> internal/external div<strong>is</strong>i<strong>on</strong><strong>an</strong>d casts <strong>the</strong> unlucky pharmakos into <strong>the</strong> role <strong>of</strong> evil, “both introjected <strong>an</strong>dprojected.” 60 The working <strong>of</strong> boundaries had a cathartic <strong>an</strong>d calming role, asit addressed those elements <strong>of</strong> <strong>the</strong> collective self (<strong>the</strong> city) that could be <strong>the</strong>cause <strong>of</strong> alarm; Derrida suggests that <strong>the</strong> logos <strong>of</strong> Socrates operated <strong>an</strong>alogously.He <strong>is</strong> called affecti<strong>on</strong>ately pharmakeus in Plat<strong>on</strong>ic dialogues: a wizard<strong>an</strong>d master <strong>of</strong> words which have surpr<strong>is</strong>ing <strong>an</strong>d unsettling c<strong>on</strong>sequences, asmuch as <strong>the</strong>y have curative or reassuring power. 61 Reas<strong>on</strong> <strong>is</strong> <strong>the</strong>refore itself asort <strong>of</strong> pharmak<strong>on</strong>, <strong>an</strong> ambiguous kind <strong>of</strong> cure (exorc<strong>is</strong>m) as it <strong>is</strong> simult<strong>an</strong>eouslyalso taking part in <strong>the</strong> dem<strong>on</strong>ic aspects <strong>of</strong> l<strong>an</strong>guage it tries to deliver usfrom. “The dem<strong>on</strong>ic speech <strong>of</strong> <strong>th<strong>is</strong></strong> thaumaturge [Socrates] (en)trails <strong>the</strong> l<strong>is</strong>tenerin di<strong>on</strong>ysi<strong>an</strong> frenzy <strong>an</strong>d philosophic m<strong>an</strong>ia […].” 62 Socratic/Plat<strong>on</strong>icreas<strong>on</strong>, <strong>the</strong>refore, denounces writing defensively; writing <strong>is</strong> cast in <strong>the</strong> role<strong>of</strong> pharmakos <strong>an</strong>d it <strong>is</strong> identified with <strong>the</strong> “evil” aspects <strong>of</strong> l<strong>an</strong>guage, but actuallyphilosophic reas<strong>on</strong> c<strong>an</strong> never purify itself from its o<strong>the</strong>r completely.“The expulsi<strong>on</strong> <strong>of</strong> <strong>the</strong> evil or madness restores sôphrosunê [w<strong>is</strong>dom],” 63 butit has to be repeated again <strong>an</strong>d again. Derrida notes that <strong>the</strong> ritual <strong>of</strong> pharmakoswas reproduced every year in A<strong>the</strong>ns, up through <strong>the</strong> fifth century. 64Derrida’s reading <strong>is</strong> remarkable, but it <strong>is</strong> also dec<strong>is</strong>ively <strong>on</strong>e-sided: hestrategically refuses to recogn<strong>is</strong>e <strong>an</strong>d read <strong>the</strong> integrative, or healing dimensi<strong>on</strong><strong>of</strong> Socratic text. 65 Never<strong>the</strong>less, I maintain that <strong>the</strong>se two moments are58 Ibid., 168.59 Ibid., 149.60 Ibid., 133.61Ibid., 134.62 Ibid., 118. Derrida’s reference <strong>is</strong> to <strong>the</strong> Symposium, 218b.63 Ibid., 133.64Ibid., 134.65 Derrida c<strong>an</strong> hardly be out-smarted as a textual reader <strong>of</strong> Plato, <strong>an</strong>d <strong>th<strong>is</strong></strong> <strong>is</strong> not in myinterests here. The questi<strong>on</strong> <strong>is</strong> ra<strong>the</strong>r <strong>of</strong> giving several elements in <strong>the</strong> dialogue <strong>an</strong> empha-

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