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Note on this edition: this is an electronic version of the 1999 book ...

Note on this edition: this is an electronic version of the 1999 book ...

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The Ancestry <strong>of</strong> <strong>the</strong> Dem<strong>on</strong>ic 45[…].” 79 Girard reads <strong>the</strong> scene from Mark al<strong>on</strong>g <strong>the</strong>se lines as a story <strong>of</strong> collectiveguilt <strong>an</strong>d ritual<strong>is</strong>tic at<strong>on</strong>ement. There <strong>is</strong> some evidence in <strong>the</strong> story tojustify <strong>th<strong>is</strong></strong>; <strong>the</strong> dem<strong>on</strong>s made <strong>the</strong> m<strong>an</strong> run into wilderness <strong>an</strong>d graveyards,even if <strong>the</strong> Gerasenes had repeatedly tried to fetter him. Girard notes <strong>on</strong>scapegoats how <strong>the</strong>se “victims are <strong>the</strong> sp<strong>on</strong>t<strong>an</strong>eous agents <strong>of</strong> rec<strong>on</strong>ciliati<strong>on</strong>,since, in <strong>the</strong> final paroxysm <strong>of</strong> mimetic<strong>is</strong>m, <strong>the</strong>y unite in oppositi<strong>on</strong> to<strong>the</strong>mselves those who were org<strong>an</strong>ized in oppositi<strong>on</strong> to each o<strong>the</strong>r by <strong>the</strong> effects<strong>of</strong> a previous weaker mimetic<strong>is</strong>m.” 80 Girard sees a close c<strong>on</strong>necti<strong>on</strong> betweenl<strong>an</strong>guage <strong>an</strong>d violence, <strong>an</strong>d mimetic<strong>is</strong>m <strong>is</strong> for him <strong>the</strong> original source<strong>of</strong> all m<strong>an</strong>’s troubles; in <strong>th<strong>is</strong></strong> case, at least, mimetic logic seems to be atwork. 81 After all, <strong>the</strong> Gerasenes turn against Jesus after he has deprived <strong>the</strong>m<strong>of</strong> <strong>the</strong>ir dem<strong>on</strong>s (<strong>an</strong>d <strong>the</strong>ir livelihood in pigs, as well, but Girard does notput weight <strong>on</strong> that factor). The dem<strong>on</strong>ic O<strong>the</strong>r <strong>is</strong> import<strong>an</strong>t for society, <strong>an</strong>dJesus’ cure <strong>of</strong> <strong>the</strong> dem<strong>on</strong>iac takes away <strong>the</strong>ir mimetic symbol <strong>of</strong> violence <strong>an</strong>dchaotic limits – <strong>the</strong> functi<strong>on</strong>s that <strong>the</strong> possessed m<strong>an</strong> had repeatedly performedin h<strong>is</strong> madness.Ano<strong>the</strong>r example <strong>of</strong> Chr<strong>is</strong>ti<strong>an</strong> possessi<strong>on</strong> narratives from a completelydifferent h<strong>is</strong>torical c<strong>on</strong>text serves fur<strong>the</strong>r to emphas<strong>is</strong>e <strong>the</strong> ambivalent functi<strong>on</strong>s<strong>of</strong> dem<strong>on</strong>s. The possessi<strong>on</strong> epidemic in Loudun, Fr<strong>an</strong>ce, beg<strong>an</strong> with<strong>the</strong> possessi<strong>on</strong> <strong>of</strong> Je<strong>an</strong>ne des Agnes, <strong>an</strong> Ursuline nun, in 1633. The case <strong>is</strong>relatively well documented <strong>an</strong>d has received ample attenti<strong>on</strong>, in The Devils<strong>of</strong> Loudun (1952) by Aldous Huxley, La possessi<strong>on</strong> de Loudun (1970) by Michelde Certeau, <strong>an</strong>d in <strong>the</strong> <strong>an</strong>alys<strong>is</strong> by Sarah E. Miller. Je<strong>an</strong>ne <strong>an</strong>d her exorc<strong>is</strong>tsbelieved her to have been possessed by seven different dem<strong>on</strong>s (Grésil,Am<strong>an</strong>, Asmodée, Leviath<strong>an</strong>, Balaam, Isaacar<strong>on</strong>, <strong>an</strong>d Béhémot). In time, <strong>the</strong>entire c<strong>on</strong>vent <strong>of</strong> nuns became possessed, <strong>an</strong>d <strong>on</strong>e <strong>of</strong> <strong>the</strong> exorc<strong>is</strong>ing priestsbecame ins<strong>an</strong>e <strong>an</strong>d died. Je<strong>an</strong>ne <strong>an</strong>d <strong>the</strong> o<strong>the</strong>r nuns had had dreams <strong>of</strong> Urb<strong>an</strong>Gr<strong>an</strong>dier, <strong>an</strong>d accused him <strong>of</strong> bewitching <strong>the</strong>m <strong>an</strong>d making <strong>the</strong>m fall in lovewith him. Gr<strong>an</strong>dier was tried in court <strong>an</strong>d burned at <strong>the</strong> stake. Je<strong>an</strong>ne’s spectaculard<strong>is</strong>orders, however, remained; she became victim <strong>of</strong> a supernaturalpregn<strong>an</strong>cy, tried a self-inflicted Caesare<strong>an</strong>, but God himself stopped her. After<strong>the</strong> dem<strong>on</strong> Isaacar<strong>on</strong> was made to c<strong>on</strong>fess (with Je<strong>an</strong>ne’s mouth) <strong>the</strong>79 Leviticus 16:8-10. See L<strong>an</strong>gt<strong>on</strong> 1949/1982, 43-6.80 Girard 1982/1989, 165.81Girard writes <strong>of</strong> <strong>the</strong> need for a “m<strong>on</strong>strous double” as a fundamental elementneeded to enter <strong>the</strong> cultural order; “social coex<strong>is</strong>tence would be impossible if no surrogatevictim ex<strong>is</strong>ted, if violence pers<strong>is</strong>ted bey<strong>on</strong>d a certain threshold <strong>an</strong>d failed to betr<strong>an</strong>smuted into culture. It <strong>is</strong> <strong>on</strong>ly at <strong>th<strong>is</strong></strong> point that <strong>the</strong> vicious circle <strong>of</strong> reciprocal violence,wholly destructive in nature, <strong>is</strong> replaced by <strong>the</strong> vicious circle <strong>of</strong> ritual violence,creative <strong>an</strong>d protective in nature.” (Girard 1972/1989, 144.) – Ano<strong>the</strong>r, less polemical,view <strong>on</strong> mimetic<strong>is</strong>m <strong>is</strong> presented by Kathryn Hume in her F<strong>an</strong>tasy <strong>an</strong>d Mimes<strong>is</strong> (1984);she proposes that literature <strong>is</strong> <strong>the</strong> product <strong>of</strong> two impulses, f<strong>an</strong>tasy <strong>an</strong>d mimes<strong>is</strong>. The desireto imitate with ver<strong>is</strong>imilitude <strong>is</strong> as fundamental <strong>an</strong>d comm<strong>on</strong> as <strong>is</strong> <strong>the</strong> opposite desireto “ch<strong>an</strong>ge givens <strong>an</strong>d alter reality – out <strong>of</strong> boredom, play, v<strong>is</strong>i<strong>on</strong>, l<strong>on</strong>ging for somethinglacking, or need for metaphoric images that will bypass <strong>the</strong> audience’s verbal defenses.”Th<strong>is</strong> <strong>is</strong> what we identify as f<strong>an</strong>tasy, but <strong>the</strong>se impulses typically mix <strong>an</strong>d coex<strong>is</strong>t. (Hume1984, 20.)

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