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Note on this edition: this is an electronic version of the 1999 book ...

Note on this edition: this is an electronic version of the 1999 book ...

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46Dem<strong>on</strong>ic Texts <strong>an</strong>d Textual Dem<strong>on</strong>sdem<strong>on</strong>ic nature <strong>of</strong> <strong>the</strong> pregn<strong>an</strong>cy, Je<strong>an</strong>ne has “<strong>an</strong> oral m<strong>is</strong>carriage” <strong>an</strong>d vomitsblood. For several years Je<strong>an</strong>ne strove towards penitence, beating herself,wearing a belt <strong>of</strong> spurs, lying <strong>on</strong> thorns or fiery coals. Je<strong>an</strong>ne’s spiritual battlewas v<strong>is</strong>ible in <strong>the</strong> sufferings <strong>of</strong> her body, <strong>an</strong>d finally, after <strong>the</strong> dem<strong>on</strong>sdeparted <strong>on</strong>e by <strong>on</strong>e, <strong>the</strong>ir signs were replaced by a series <strong>of</strong> divine names(e.g. “Jésus”, “Maria”) appearing miraculously in her palm. Sarah E. Millerrecounts how Je<strong>an</strong>ne made “a triumphal pilgrimage” through Fr<strong>an</strong>ce. Thecountry was tortured by plague <strong>an</strong>d religious sch<strong>is</strong>ms between Protest<strong>an</strong>ts<strong>an</strong>d Catholics. Je<strong>an</strong>ne was admitted even to cities closed in fear <strong>of</strong> plague;she carried signs that had made her a “public m<strong>on</strong>ument bespeaking <strong>the</strong>power <strong>of</strong> <strong>the</strong> Catholic God.” 82Je<strong>an</strong>ne’s story has been read in m<strong>an</strong>y ways. One <strong>of</strong> <strong>the</strong>se would be toemphas<strong>is</strong>e political <strong>an</strong>d religious c<strong>on</strong>flicts <strong>an</strong>d see Je<strong>an</strong>ne’s illness as <strong>the</strong>irdramat<strong>is</strong>ati<strong>on</strong> – <strong>the</strong> victim<strong>is</strong>ati<strong>on</strong> <strong>of</strong> Urb<strong>an</strong> Gr<strong>an</strong>dier <strong>is</strong> <strong>an</strong> import<strong>an</strong>t subplotin <strong>th<strong>is</strong></strong> directi<strong>on</strong>. In <strong>an</strong> o<strong>the</strong>r kind <strong>of</strong> reading, <strong>the</strong> dem<strong>on</strong>ic voices <strong>an</strong>d effectsexperienced by Je<strong>an</strong>ne would be interpreted as c<strong>on</strong>flicting impulses <strong>an</strong>d dem<strong>an</strong>dsheightened by Je<strong>an</strong>ne’s sensitivity. In her Autobiographie, Je<strong>an</strong>nenotes how she <strong>an</strong>d her dem<strong>on</strong>s are ind<strong>is</strong>tingu<strong>is</strong>hable: “un dem<strong>on</strong> et moi estoitla mesme chose.” 83 Th<strong>is</strong> “moi” <strong>is</strong> pr<strong>of</strong>oundly problematic, starting from<strong>the</strong> ambiguous status <strong>of</strong> Je<strong>an</strong>ne’s Autobiographie; her nineteenth centurydoctors <strong>an</strong>d editors simult<strong>an</strong>eously claim that Je<strong>an</strong>ne was illiterate, <strong>an</strong>d thatshe was unc<strong>on</strong>sciously but knowingly altering <strong>the</strong> facts – she could not havewritten <strong>the</strong> text, which, however, <strong>is</strong> full <strong>of</strong> her m<strong>is</strong>takes, that her editorshave to put right. 84 Luce Irigaray’s view <strong>of</strong> women’s role as empty mirrorspermitting m<strong>an</strong>’s speculati<strong>on</strong> <strong>is</strong> both fortified, <strong>an</strong>d (partially) critiqued byJe<strong>an</strong>ne’s seventeenth-century story. 85 Sarah E. Miller unlocks “Je<strong>an</strong>ne’s” textby applying <strong>the</strong> psycho<strong>an</strong>alytic <strong>the</strong>ory <strong>of</strong> Nicolas Abraham <strong>an</strong>d MariaTorok. In <strong>th<strong>is</strong></strong> <strong>the</strong>ory it <strong>is</strong> possible to have symptoms from events that havenever happened; <strong>the</strong>y are inherited <strong>an</strong>xieties <strong>an</strong>d fears tr<strong>an</strong>smitted by <strong>the</strong> introjecti<strong>on</strong><strong>an</strong>d incorporati<strong>on</strong> <strong>of</strong> l<strong>an</strong>guage.The first step in <strong>the</strong> child’s achievement <strong>of</strong> figurati<strong>on</strong>, according to Abraham<strong>an</strong>d Torok, occurs in <strong>the</strong> empty mouth […] – a hunger which <strong>is</strong> filledby words […]. L<strong>an</strong>guage <strong>is</strong> from <strong>the</strong> very beginning figural. Words arriveto replace <strong>the</strong> m<strong>is</strong>sing breast. […] The proper passage through <strong>the</strong>se stepsc<strong>on</strong>stitutes introjecti<strong>on</strong>. The first time <strong>the</strong> breast <strong>is</strong> m<strong>is</strong>sed, <strong>the</strong> literalswallowing <strong>an</strong>d assimilati<strong>on</strong> <strong>of</strong> objects becomes <strong>the</strong> figurative enlargement82 Miller 1988, 2-5.83 Soeur Je<strong>an</strong>ne des Anges, Autobiographie d’une hystérique possédée, Annoté et publiépar les docteurs Gabriel Legué et Gilles de la Tourette (1886); quoted ibid., 5.84 Ibid., 6.85See Irigaray, Speculum <strong>of</strong> <strong>the</strong> O<strong>the</strong>r Wom<strong>an</strong> (1974/1986), especially “La Mystérique”(pages 191-202). Irigaray’s female mystic (“perhaps”) finds her “purity” again, after “<strong>the</strong>most shameful <strong>an</strong>d degrading behavior” (ibid., 199). Miller notes that Je<strong>an</strong>ne articulatedno such optim<strong>is</strong>m. “For Je<strong>an</strong>ne to cle<strong>an</strong>se <strong>an</strong>d empty her ‘I,’ she must empty it <strong>of</strong> itself,remove <strong>the</strong> ‘I’ in all its stains from <strong>the</strong> ‘I’; <strong>the</strong> ideal state would be <strong>on</strong>e in which selfreferentialitycould find no footing.” (Miller 1988, 9.)

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