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Note on this edition: this is an electronic version of the 1999 book ...

Note on this edition: this is an electronic version of the 1999 book ...

Note on this edition: this is an electronic version of the 1999 book ...

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Unravelling <strong>the</strong> Dem<strong>on</strong>ic Text 109Both <strong>the</strong> <strong>the</strong>ories <strong>of</strong> <strong>the</strong> self <strong>an</strong>d <strong>the</strong>ories <strong>of</strong> <strong>the</strong> text have bifurcatedinto two main alternatives: <strong>the</strong>ories ei<strong>the</strong>r tend to rec<strong>on</strong>cile <strong>an</strong>d resolve possiblec<strong>on</strong>flicts <strong>an</strong>d c<strong>on</strong>tradicti<strong>on</strong>s into some “positive identity,” or favoursuch c<strong>on</strong>flicts, treasuring <strong>the</strong>ir expressive <strong>an</strong>d subversive potentials.To my mind, <strong>the</strong> dem<strong>on</strong>ic c<strong>an</strong> be most fruitfully read in <strong>the</strong> tensi<strong>on</strong> <strong>an</strong>dundecidability <strong>of</strong> <strong>the</strong>se alternatives. The blasphemy, heterogeneity <strong>an</strong>d c<strong>on</strong>flicts<strong>of</strong> <strong>th<strong>is</strong></strong> area challenge interpretative activity <strong>an</strong>d bestow a sense <strong>of</strong> urgency<strong>on</strong> attempts to reach a “healing interpretati<strong>on</strong>.” Yet, such <strong>an</strong> interpretati<strong>on</strong>c<strong>an</strong> never be total, or complete, if it <strong>is</strong> to be faithful to its dem<strong>on</strong>icsubject matter; if a dem<strong>on</strong>ic text c<strong>an</strong> harbour a “textual self,” such <strong>an</strong> identityc<strong>an</strong> <strong>on</strong>ly be polyph<strong>on</strong>ic, c<strong>on</strong>tradictory – possessed by “m<strong>an</strong>y voices.”The sec<strong>on</strong>d part <strong>of</strong> my study explores <strong>the</strong> dem<strong>on</strong>ic in various populartexts that c<strong>an</strong> be identified as “ficti<strong>on</strong>s” in a more traditi<strong>on</strong>al sense. The nextchapter operates as a short introducti<strong>on</strong> to <strong>the</strong> dem<strong>on</strong>s in horror literature,chapters five to eight d<strong>is</strong>cuss examples taken from <strong>th<strong>is</strong></strong> genre, whereas <strong>the</strong>remaining two <strong>an</strong>alyses are dedicated to <strong>the</strong> developments outside horror asa genre.

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