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Bibliography B: Research Literature 325Suvin, Darko (1979) Metamorphosis of Science Fiction: On the Poetics andHistory of a Literary Genre. New Haven & London: Yale UniversityPress.——— (1989/1991) “On Gibson and Cyberpunk SF.” In Storming theReality Studio: A Casebook of Cyberpunk and Postmodern ScienceFiction. Ed. Larry McCaffery. Durham & London: Duke UniversityPress. 349-65 [Originally in Foundation 46 (Autumn 1989). 40-51]Tallis, Raymond (1988) Not Saussure: A Critique of Post-Saussurean LiteraryTheory. Houndmills (Basingstoke) & London: Macmillan.Tammi, Pekka (1988) “Onko tällä tekstillä lukijaa?” In Teokset, taustat,tutkijat. (KTSV 42; Ed. J. Anttila.) Helsinki: SKS. 201-247——— (1992) Kertova teksti: esseitä narratologiasta. Helsinki: Gaudeamus.Taneja, G.R. & R.K. Dhawan, eds. (1992) The Novels of Salman Rushdie.New Delhi: Indian Society for Commonwealth Studies.Taylor, Charles (1989) Sources of the Self: the Making of the Modern Identity.Cambridge: Cambridge University Press.Taylor, Mark C. (1986), Deconstruction in Context. Chicago: University ofChicago Press.——— (1988) “Foiling Reflection.” Diacritics (Spring 1988). 54-65Teixidor, Javier (1977) The Pagan God: Popular Religion in the Greco-Roman Near East. Princeton (NJ): Princeton University Press.Testa, Carlo (1991) Desire and the Devil: Demonic Contracts in French andEuropean Literature. American University Studies, Series II, Vol. 159.New York: Peter Lang.Theweleit, Klaus (1987) Male Fantasies I: Women, Floods, Bodies, History.(Männerphantasien I, 1977.) Trans. Stephen Conway, Erica Carter &Chris Turner. Cambridge: Polity.——— (1989) Male Fantasies II. Male Bodies: Psychoanalyzing the WhiteTerror (Männerphantasien, Volume 2. Männerkörper: ZurPsychoanalyse des weissen Terrors, 1978.) Trans. Stephen Conway,Erica Carter & Chris Turner. Cambridge: Polity.Thompson, Jon (1993) Fiction, Crime, and Empire: Clues to Modernity andPostmodernism. Urbana & Chicago: University of Illinois Press.Timpone, Anthony, ed. (1997) Fangoria – Masters of the Dark: Stephen King& Clive Barker. New York: HarperPrism.Todd, Richard (1989) “Convention and Innovation in British Fiction 1981-1984: The Contemporaneity of Magic Realism.” In Convention andInnovation in Literature. Eds. Theo D’haen, Rainer Grübel & HelmutLethen. Amsterdam & Philadelphia: John Benjamins.Todorov, Tzvetan (1970) Introduction à la littérature fantastique. Paris: Seuil.——— (1970/1975) The Fantastic: A Structural Approach to a Literary Genre.Trans. Richard Howard. Ithaca (New York): Cornell University Press.(1970.)Tolkien, J.R.R. (1983) “Beowulf: the Monsters and the Critics.” In TheMonsters and the Critics, and Other Essays. Ed. Christopher Tolkien.London: George Allen & Unwin. 5-48 (1936.)——— (1989) “On Fairy-Stories.” In Tree and Leaf. London: UnwinPaperbacks. 11-79
326Demonic Texts and Textual DemonsTravers, Peter & Stephanie Reiff (1974) The Story Behind The Exorcist.New York: Crown Publishers.Tropp, Martin (1990) Images of Fear: How Horror Stories Helped ShapeModern Culture (1818-1918). Jefferson (NC) & London: McFarland &Company, Inc..Trousson, Raymond (1976) Le Thème de Prométhée dans la littératureeuropéenne. Tome I & II. 2e édition. Genève: Librairie Droz.Tudor, Andrew (1989) Monsters and Mad Scientists: A Cultural History of theHorror Movie. Oxford & Cambridge (MA): Blackwell.Turkle, Sherry (1984) The Second Self: Computers and the Human Spirit.London: Granada.——— (1997) Life on the Screen: Identity in the Age of the Internet. NewYork: Touchstone. (1995.)Turn, David H. (1993) “Fideikommißbibliothek: Freud’s ‘DemonologicalNeurosis’“. MLN. Vol 108 (December 1993): No. 5. 849-874Turner, Alice K. (1993) The History of Hell. New York, San Diego &London: Harcourt Brace.Turner, Graeme (1992) British Cultural Studies: An Introduction. Media andpopular Culture: 7. New York & London: Routledge. (1990.)Turner, Victor (1969/1987) The Ritual Process: Structure and Anti-Structure.Ithaca (New York): Cornell University Press. (1969.)——— (1981) “Social Dramas and Stories about them.” In On Narrative.Ed. W.J.T. Mitchell. Chicago & London: The University of ChicagoPress. 137-64Twitchell, James B. (1985) Dreadful Pleasures: An Anatomy of ModernHorror. New York & Oxford: Oxford University Press.Valdés, Mario J. and Owen Miller, eds. (1985) Identity of the Literary Text.Toronto: Toronto University Press.Valk, Ülo (1994) Kurat Euroopa usundiloos: Sissejuhatus demonoloogiasse.Tallinn: Viverkaar.——— (1997) Perkele: Johdatus demonologiaan. (Kurat Euroopa usundiloos:Sissejuhatus demonoloogiasse, 1994.) Trans. Tapani Hietaniemi.Tampere: Vastapaino.van Gennep, Arnold (1909/1977) The Rites of Passage. (Trans. Monika B.Vizedom & Gabrielle L. Caffee.) London & Henley: Routledge &Kegan Paul. (1909.)Varnado, S.L. (1987) Haunted Presence: The Numinous in Gothic Fiction.Tuscaloosa & London: The University of Alabama Press.Vatter, Hannes (1978) The Devil in English Literature. SchweizerAnglistische Arbeiten / Swiss Studies in English, 97. Bern: FrankeVerlag.Veeder, William (1986) Mary Shelley & Frankenstein: The Fate of Androgyny.Chicago & London: The University of Chicago Press.Vernant, Jean-Pierre (1969) “Tensions and Ambiguities in Greek Tragedy.”In Interpretation Theory and Practice. Ed. Charles S. Singleton.Baltimore & London: Johns Hopkins. 105-121——— (1972) “Greek Tragedy: Problems of Interpretation.” In TheStructuralist Controversy. Eds. Richard Macksey & Eugenio Donato.
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TAMPERE STUDIES INLITERATURE AND TE
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Tampere Studies in Literature and T
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ments, and also such further lines
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IllustrationsCover: “Possessed Re
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The BeginningsAnd Jesus asked him,
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The Beginnings 5negative, demonic a
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The Demonic in the Self 79Nietzsche
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3. Unravelling the Demonic TextThe
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PART II
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114Demonic Texts and Textual Demons
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