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Note on this edition: this is an electronic version of the 1999 book ...

Note on this edition: this is an electronic version of the 1999 book ...

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Good at Being Evil: <strong>the</strong> Dem<strong>on</strong>s <strong>of</strong> The Vampire Chr<strong>on</strong>icles 189tify with <strong>the</strong> lot <strong>of</strong> suffering hum<strong>an</strong>s. Incarnati<strong>on</strong> into hum<strong>an</strong> form <strong>an</strong>d Jesus’final self-sacrifice are portrayed as complete m<strong>is</strong>takes. Memnoch tries in<strong>the</strong> novel to make God underst<strong>an</strong>d <strong>the</strong> morally destructive nature <strong>of</strong> hum<strong>an</strong>ex<strong>is</strong>tence (tormented by <strong>the</strong> lack <strong>of</strong> <strong>an</strong>y absolute knowledge or me<strong>an</strong>ing,broken by intolerable suffering). Jesus goes through suffering <strong>an</strong>d death, butbecause <strong>of</strong> h<strong>is</strong> divine underst<strong>an</strong>ding he makes <strong>an</strong> inhum<strong>an</strong> (or superhum<strong>an</strong>)m<strong>is</strong>take <strong>an</strong>d glorifies <strong>the</strong> value <strong>of</strong> suffering into a Chr<strong>is</strong>ti<strong>an</strong> dogma.“‘Oh, no, no!’ [Memnoch cried out to Jesus]. ‘Th<strong>is</strong> <strong>is</strong> d<strong>is</strong>aster.’ […]“Lord, <strong>the</strong>re are times when <strong>the</strong> hardest men hold inf<strong>an</strong>ts in <strong>the</strong>ir arms,<strong>the</strong>ir own children, <strong>an</strong>d <strong>the</strong> happiness <strong>an</strong>d sat<strong>is</strong>facti<strong>on</strong> <strong>of</strong> those moments <strong>is</strong>so sublime that <strong>the</strong>re <strong>is</strong> no horror <strong>on</strong> earth that c<strong>an</strong> destroy <strong>the</strong> peace <strong>the</strong>yfeel! That <strong>is</strong> <strong>the</strong> hum<strong>an</strong> capacity for love <strong>an</strong>d underst<strong>an</strong>ding! When <strong>on</strong>ec<strong>an</strong> achieve harm<strong>on</strong>y in spite <strong>of</strong> everything, <strong>an</strong>d men <strong>an</strong>d women do <strong>th<strong>is</strong></strong>,Lord. They do. Come, d<strong>an</strong>ce with your people. Sing with <strong>the</strong>m. Feast with<strong>the</strong>m. Throw your arms around <strong>the</strong> women <strong>an</strong>d <strong>the</strong> men <strong>an</strong>d know <strong>the</strong>min <strong>the</strong> flesh!’ 65The inhum<strong>an</strong>ity <strong>an</strong>d fundamental inability <strong>of</strong> God to underst<strong>an</strong>d <strong>the</strong>Devil, who <strong>is</strong> trying to defend <strong>the</strong> cause <strong>of</strong> hum<strong>an</strong>ity <strong>an</strong>d ethical values <strong>is</strong>symptomatic <strong>of</strong> <strong>the</strong> novel in general. It has taken <strong>the</strong> whole <strong>of</strong> (Catholic)Chr<strong>is</strong>ti<strong>an</strong> <strong>the</strong>ology <strong>an</strong>d put it through a dem<strong>on</strong>ic inversi<strong>on</strong>. The traditi<strong>on</strong>alnames for Good <strong>an</strong>d Evil – God <strong>an</strong>d Devil – are reversed. At <strong>the</strong> same time,however, <strong>the</strong> narrative does not carry far enough to subvert <strong>the</strong> oppositi<strong>on</strong>completely. The evil God <strong>is</strong> still omnipotent, <strong>an</strong>d <strong>the</strong> rebellious Devil <strong>is</strong>locked into impotent, if righteous, rage. The Chr<strong>is</strong>ti<strong>an</strong> subtext becomescoded with ambivalent <strong>an</strong>d blasphemous acts <strong>an</strong>d parallels; as Lestat c<strong>on</strong>fr<strong>on</strong>tsJesus for <strong>the</strong> last time, <strong>on</strong> <strong>the</strong> road to Golgotha, he both receives <strong>the</strong>veil <strong>of</strong> Ver<strong>on</strong>ica (<strong>the</strong> mythical cloth with Chr<strong>is</strong>t’s image) <strong>an</strong>d drinks h<strong>is</strong>blood. Jesus himself <strong>is</strong> depicted as teasing Lestat into <strong>th<strong>is</strong></strong> ambiguous act <strong>of</strong>blasphemy or mystic uni<strong>on</strong>: “The Blood <strong>of</strong> God, Lestat,” Jesus wh<strong>is</strong>pered.“Think <strong>of</strong> all <strong>the</strong> hum<strong>an</strong> blood that has flowed into your lips. Is my bloodnot worthy? Are you afraid?” 66 Later, back from Heaven <strong>an</strong>d Hell, Lestatkneels down <strong>on</strong> a menstruating wom<strong>an</strong> <strong>an</strong>d licks her menstrual blood – in adouble act <strong>of</strong> blasphemy parallel to h<strong>is</strong> vampiric “Communi<strong>on</strong>” with Chr<strong>is</strong>t,<strong>an</strong>d rejecti<strong>on</strong> <strong>of</strong> Chr<strong>is</strong>t’s sacrificial blood.“Forgive me, forgive me,” I wh<strong>is</strong>pered, <strong>an</strong>d my t<strong>on</strong>gue broke through <strong>the</strong>thin cott<strong>on</strong> <strong>of</strong> her p<strong>an</strong>ties, tearing <strong>the</strong> cloth back from <strong>the</strong> s<strong>of</strong>t down <strong>of</strong>pubic hair, pushing aside <strong>the</strong> bloodstained pad she wore, <strong>an</strong>d I lapped at<strong>the</strong> blood just inside her young pink vaginal lips, just coming from <strong>the</strong>mouth <strong>of</strong> her womb, not pure blood, but blood from her, blood from herstr<strong>on</strong>g, young body, blood all over tight hot cells <strong>of</strong> her vaginal flesh,blood that brought no pain, no sacrifice, <strong>on</strong>ly her gentle forbear<strong>an</strong>ce withme, with my unspeakable act, my t<strong>on</strong>gue going deep into her, drawing out65 MD, 277.66MD, 283.

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