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Note on this edition: this is an electronic version of the 1999 book ...

Note on this edition: this is an electronic version of the 1999 book ...

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The Inarticulate Body: Dem<strong>on</strong>ic C<strong>on</strong>flicts in The Exorc<strong>is</strong>t 149The most signific<strong>an</strong>t opp<strong>on</strong>ent <strong>of</strong> <strong>the</strong> dem<strong>on</strong> in <strong>the</strong> ritual <strong>of</strong> exorc<strong>is</strong>m <strong>is</strong><strong>the</strong> priest; he st<strong>an</strong>ds for <strong>the</strong> Church, <strong>an</strong>d exerc<strong>is</strong>es <strong>the</strong> apostolic authoritygr<strong>an</strong>ted by Chr<strong>is</strong>t to cast out uncle<strong>an</strong> spirits in h<strong>is</strong> name. 18 The relati<strong>on</strong>shipbetween Fa<strong>the</strong>r Karras, <strong>the</strong> Jesuit <strong>an</strong>d <strong>the</strong> modern m<strong>an</strong>, <strong>an</strong>d <strong>the</strong> possessedchild brings forward <strong>the</strong> most acute c<strong>on</strong>flicts empowering <strong>the</strong> dem<strong>on</strong>ic in<strong>the</strong> novel. The c<strong>on</strong>flicts are framed as universal – The Exorc<strong>is</strong>t opens with asecti<strong>on</strong> in Iraq, as Fa<strong>the</strong>r Merrin c<strong>on</strong>fr<strong>on</strong>ts signs <strong>of</strong> “that O<strong>the</strong>r who ravagedh<strong>is</strong> dreams,” embodied in a statue <strong>of</strong> <strong>the</strong> dem<strong>on</strong> Pazuzu. 19 In <strong>an</strong>o<strong>the</strong>r narrativec<strong>on</strong>tinuum, Reg<strong>an</strong>’s mo<strong>the</strong>r, actress Chr<strong>is</strong> MacNeil faces “<strong>the</strong> <strong>an</strong>cientenemy” as well in a dream, about death: “she was gasping, d<strong>is</strong>solving, slipping<strong>of</strong>f into void, thinking over <strong>an</strong>d over, I am not going to be, I will die, Iw<strong>on</strong>’t be, <strong>an</strong>d forever <strong>an</strong>d ever […].” 20 The warring mind <strong>of</strong> Fa<strong>the</strong>r Karras incorporates<strong>the</strong>se two fears, <strong>the</strong> dem<strong>on</strong> <strong>of</strong> “sickness <strong>an</strong>d d<strong>is</strong>ease” with <strong>the</strong> ex<strong>is</strong>tentialfear <strong>of</strong> me<strong>an</strong>inglessness <strong>of</strong> life without <strong>the</strong> tr<strong>an</strong>scendental. He haslost h<strong>is</strong> faith, <strong>an</strong>d <strong>the</strong> lack <strong>of</strong> supernatural salvati<strong>on</strong> makes <strong>the</strong> materiality,<strong>the</strong> cruelty <strong>an</strong>d <strong>the</strong> imperfecti<strong>on</strong> <strong>of</strong> <strong>the</strong> world unbearable.[Karras:] “[…] I’m having problems <strong>of</strong> my own. I me<strong>an</strong>, doubts.”“What thinking m<strong>an</strong> doesn’t, Damien?”A harried m<strong>an</strong> with m<strong>an</strong>y appointments, <strong>the</strong> Provincial had not pressedhim for <strong>the</strong> reas<strong>on</strong>s for h<strong>is</strong> doubt. For which Karras was grateful. He knewthat h<strong>is</strong> <strong>an</strong>swers would have sounded ins<strong>an</strong>e: The need to rend food with <strong>the</strong>teeth <strong>an</strong>d <strong>the</strong>n defecate. My mo<strong>the</strong>r’s nine First Fridays. Stinking socks. Thalidomidebabies. An item in <strong>the</strong> paper about a young altar boy waiting at abus stop; set <strong>on</strong> by str<strong>an</strong>gers; sprayed with kerosene; ignited. No. Too emoti<strong>on</strong>al.Vague. Ex<strong>is</strong>tential. More rooted in <strong>the</strong> logic was <strong>the</strong> silence <strong>of</strong> God.In <strong>the</strong> world <strong>the</strong>re was evil. And much <strong>of</strong> <strong>the</strong> evil resulted from doubt;from <strong>an</strong> h<strong>on</strong>est c<strong>on</strong>fusi<strong>on</strong> am<strong>on</strong>g men <strong>of</strong> good will. Would a reas<strong>on</strong>ableGod refuse to end it? Not reveal Himself? Not speak?“Lord, give us a sign….”The ra<strong>is</strong>ing <strong>of</strong> Lazarus was dim in <strong>the</strong> d<strong>is</strong>t<strong>an</strong>t past. No <strong>on</strong>e now livinghad heard h<strong>is</strong> laughter.Why not a sign? […]The yearning c<strong>on</strong>sumed him. 21The principal task <strong>of</strong> religi<strong>on</strong> in Karras’s mind <strong>is</strong> to tr<strong>an</strong>sgress <strong>the</strong> materialuniverse: h<strong>is</strong> M<strong>an</strong>ichae<strong>an</strong> versi<strong>on</strong> <strong>of</strong> Catholic<strong>is</strong>m perceives <strong>the</strong> materialworld as a series <strong>of</strong> humiliati<strong>on</strong>s for a spiritual being. The images that are18 See Matt. 10:1; Mk. 6:7; Lk. 9:1. – It should be pointed out, that from <strong>the</strong> Chr<strong>is</strong>ti<strong>an</strong>perspective <strong>the</strong> mere name <strong>of</strong> Jesus <strong>is</strong> not enough (actual faith <strong>is</strong> needed); “The Acts <strong>of</strong><strong>the</strong> Apostles” narrates how some Jew<strong>is</strong>h exorc<strong>is</strong>ts tried to use Jesus’ name, but werebeaten by <strong>the</strong> dem<strong>on</strong>iac (Acts 19:13-16). (On <strong>the</strong> o<strong>the</strong>r h<strong>an</strong>d, see also Lk. 9:49-50.)19E, 5, 7. – Previously <strong>an</strong> obscure <strong>an</strong>cient god/dem<strong>on</strong>, Pazuzu has become a prominentsymbol <strong>of</strong> <strong>the</strong> O<strong>the</strong>r, because <strong>of</strong> <strong>th<strong>is</strong></strong> appear<strong>an</strong>ce in The Exorc<strong>is</strong>t. See, e.g. <strong>the</strong> appear<strong>an</strong>cesin Clive Barker’s play <strong>an</strong>d Chr<strong>is</strong>topher Moore’s novel (d<strong>is</strong>cussed below, pp.195 <strong>an</strong>d 287).20 E, 14.21E, 48-49. The italics in <strong>the</strong> original.

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