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Note on this edition: this is an electronic version of the 1999 book ...

Note on this edition: this is an electronic version of the 1999 book ...

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68Dem<strong>on</strong>ic Texts <strong>an</strong>d Textual Dem<strong>on</strong>shave <strong>an</strong> intimate relati<strong>on</strong>ship. The main difference here with <strong>the</strong> <strong>an</strong>cient beliefs<strong>is</strong> that in <strong>the</strong> modern attitude <strong>the</strong> c<strong>on</strong>flicting influences <strong>of</strong> <strong>the</strong> unknownare perceived as “intruders from <strong>the</strong> unc<strong>on</strong>scious,” ra<strong>the</strong>r th<strong>an</strong> as supernatural,exterior agents. 57 It <strong>is</strong> possible to see <strong>the</strong> dem<strong>on</strong>ic as a particular interpretati<strong>on</strong><strong>an</strong>d modificati<strong>on</strong> <strong>of</strong> <strong>the</strong> daim<strong>on</strong>ic, developed in a dual<strong>is</strong>tic system<strong>of</strong> thought; for example, <strong>the</strong> dem<strong>on</strong>ic <strong>is</strong> situated as “low,” as opposed to“high,” <strong>an</strong>d “evil” as opposed to “good.” It <strong>is</strong> necessary at first, however, toapproach <strong>the</strong> daim<strong>on</strong>ic, in order to get a background for <strong>the</strong> ambiguities surroundingdem<strong>on</strong>s <strong>an</strong>d <strong>the</strong> dem<strong>on</strong>ic.The traditi<strong>on</strong>al Western imagery <strong>of</strong> <strong>the</strong> dem<strong>on</strong>ic <strong>is</strong> c<strong>on</strong>densed in presentati<strong>on</strong>s<strong>of</strong> Hell, that “seething cauldr<strong>on</strong>.” Overt sexuality, bestiality <strong>an</strong>duninhibited sad<strong>is</strong>tic f<strong>an</strong>tasies are just some <strong>of</strong> <strong>the</strong> elements figuring in <strong>th<strong>is</strong></strong>rich <strong>an</strong>d c<strong>on</strong>troversial heritage. In May’s terms, <strong>the</strong> emphatically negativeinterpretati<strong>on</strong> dominating our sense <strong>of</strong> “<strong>the</strong> dem<strong>on</strong>ic” tells us about our difficultiesin dealing with <strong>the</strong> ambivalent daim<strong>on</strong>ic. “The daim<strong>on</strong>ic,” accordingto May, “<strong>is</strong> <strong>an</strong>y natural functi<strong>on</strong> which has <strong>the</strong> power to take over <strong>the</strong> wholepers<strong>on</strong>. Sex <strong>an</strong>d eros, <strong>an</strong>ger <strong>an</strong>d rage, <strong>an</strong>d <strong>the</strong> craving for power are examples.”58 Such self-representati<strong>on</strong>s which do not acknowledge <strong>the</strong> central role<strong>of</strong> body <strong>an</strong>d emoti<strong>on</strong>s, or different needs <strong>an</strong>d cravings (in our thought aswell as in life) are particularly threatened by <strong>the</strong>se areas. “The daim<strong>on</strong>ic c<strong>an</strong>be ei<strong>the</strong>r creative or destructive <strong>an</strong>d <strong>is</strong> normally both,” adds May. 59 In a c<strong>on</strong>fr<strong>on</strong>tati<strong>on</strong>with such a phenomen<strong>on</strong>, <strong>the</strong> c<strong>on</strong>structi<strong>on</strong> <strong>of</strong> <strong>the</strong> self as rati<strong>on</strong>al<strong>is</strong>tic<strong>an</strong>d fully aut<strong>on</strong>omous, <strong>is</strong> questi<strong>on</strong>ed both in <strong>the</strong> areas <strong>of</strong> its sovereignty,<strong>an</strong>d in its logic; <strong>an</strong>y clear-cut boundaries do not fit <strong>an</strong>y more, <strong>an</strong>d <strong>the</strong>logic <strong>of</strong> “ei<strong>the</strong>r/or” <strong>is</strong> replaced by mixed categories <strong>an</strong>d “truths” that depend<strong>on</strong> acts <strong>of</strong> interpretati<strong>on</strong>. The daim<strong>on</strong>ic presents hum<strong>an</strong> thought, emoti<strong>on</strong><strong>an</strong>d acti<strong>on</strong> as fundamentally interrelated.The ex<strong>is</strong>tential<strong>is</strong>m in May’s <strong>an</strong>d Diam<strong>on</strong>d’s <strong>the</strong>ories m<strong>an</strong>ifests itself in<strong>the</strong> weight <strong>the</strong>y put <strong>on</strong> choice. If daim<strong>on</strong>ic forces are represented, <strong>an</strong>d recogn<strong>is</strong>ed,<strong>the</strong>y come into awareness; in <strong>th<strong>is</strong></strong> way, it should be possible to stopbetween stimulus <strong>an</strong>d resp<strong>on</strong>se, <strong>an</strong>d reach toward integrated dec<strong>is</strong>i<strong>on</strong>s bypreferring a particular resp<strong>on</strong>se am<strong>on</strong>g several possible <strong>on</strong>es. Freedom <strong>is</strong>thus not <strong>the</strong> opposite <strong>of</strong> determin<strong>is</strong>m. “Freedom <strong>is</strong> <strong>the</strong> individual’s capacityto know that he <strong>is</strong> <strong>the</strong> determined <strong>on</strong>e,” writes May; 60 it <strong>is</strong> possible to approachrelatively free choices <strong>on</strong>ly if <strong>on</strong>e knows as much as possible about<strong>the</strong> different factors influencing <strong>on</strong>eself at <strong>the</strong> moment <strong>of</strong> dec<strong>is</strong>i<strong>on</strong>. As Iemphas<strong>is</strong>ed in <strong>the</strong> previous chapter, <strong>the</strong> daim<strong>on</strong>ic traditi<strong>on</strong>ally signifies <strong>an</strong>experience <strong>of</strong> limited aut<strong>on</strong>omy; <strong>the</strong> tragic <strong>an</strong>d epic works <strong>of</strong> classical Greekpoetry portray <strong>the</strong>ir characters as crediting <strong>the</strong>ir “irrati<strong>on</strong>al” acti<strong>on</strong>s to <strong>the</strong><strong>of</strong> medieval “dem<strong>on</strong>o-m<strong>an</strong>ias,” <strong>an</strong>d referred to <strong>the</strong>se areas in h<strong>is</strong> writings <strong>an</strong>d lectures.(See Freud 1990, 379-81 [“Editor’s <str<strong>on</strong>g>Note</str<strong>on</strong>g>”]; also in SE 19, 69-71.)57 Diam<strong>on</strong>d 1996, 60-65; see also Freud 1923/1978 (SE 19, 69-105).58May 1969/1989, 123. Italics in <strong>the</strong> original.59 Ibid.60May 1967, 175. Italics in <strong>the</strong> original.

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