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18 The frameworkmodel is able to handle the problems previous theories could not resolve(see also the following section). Additionally, it addresses questions whichhave rarely been raised in the past and provides satisfactory answers.Thus, for example, the fact that English, unlike Polish, does not tolerateempty nuclei at the left edge of the word and lacks clusters with thefalling-sonority slope in this position receives a coherent explanation.Finally, some problems which have been left unsolved or simply overlookedby previous theories acquire a new theoretical status, e.g. trappedand syllabic consonants, bogus clusters and vowel syncope. Before wefocus our attention on the analysis of Polish and English data, let usbriefly discuss the evolution of the boundary markers in phonologicaltheory. The discussion in the following section will point to the superiorityof the Strict CV model over GP. Additionally, and more importantly, itwill introduce a problem which is one of the chief issues of this study,namely, the legitimisation and some consequences of Lowenstamm’s(1999) idea of replacing initial boundary marker ‘#’ with a fully phonologicalobject, that is, the initial empty CV unit.3. Boundary markers in phonological theory3.1. IntroductionThe theory of domains in phonology dates back to the publication of theby now classic work by Chomsky and Halle (1968) The Sound Patternof English (SPE). Since morphology as a separate component didnot exist in the early model of Generative Grammar, phonological rulesin SPE operate on syntactic rather than on morphological structures.The syntax-phonology mapping is accomplished by means of three differentdevices, namely, labelled bracketing, morphological boundaries andreadjustment rules. For our purposes we shall focus our attention onlyon the morphological boundaries, or to be more precise, on the internalword boundary ‘#’. 3 For an overview and the critical discussion of thephonology-morphology interaction in early generative theories see A n -derson (1985), Szpyra (1989). Apart from the aforementioned in-3Since in this book we make reference only to the internal word boundary #, we usea shorter name, that is, word boundary.

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