© 2012 | amberTXT / BIS ISBN 978-605-88807-7-1

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Workshops / Workshops / Atölyeler “City Commons” PAPERSCENES Workshop Duration: 3 hours x 2days Age group: 12-16 Number of participants: 12 Pre-conditions: none Needs: Big table surface suitable to paint and cut cartoons on, a PC or a mac, stereo active sound system, a wall suitable to tape works over Date: 15-16 September <strong>2012</strong> In the first part of this workshop, the participants work on the concept of the commons. Participants freely discuss about the idea and try to name the commons in the city. Then, they are asked to visualize those ideas and link them in a simple story. Later they will create an interactive scene from cutout and painted drawing cartoons which gives audio responses when touched. Participants will use paints and drawing cartoons to visualize their ideas, will cut them out and bring together on a wall to visually create the city scene. They will also add circuitry hidden in the cartoons, record and edit the sound and finalize the work. “Commons Tense” Public Art Workshop Duration: 4 hours x 3 days Age group: adults Number of participants: 6-8 Needs: A projector, tables to sit and work around, wi-fi Internet connection Pre-conditions: Artist and art students are expected to take part Dates: 17-19 September <strong>2012</strong> In order to create a public work together, we want to work with an abstract idea related to the title of the exhibition, which is “Commons Tense”. The grammatical structures of the tenses convey the meaning based on the time related references. When we talk about past, present, future, etc. we use corresponding tenses… If it were not the time the tenses refer but the social concepts, how would a sentence told in the common tense have been formed? Or a practical question: how would we form our artistic sentence to talk in the commons tense? What would be the medium to transform such a sentence? How we can create a legible expression constituted on commons? 112
Sergi / Exhibition: 15–30 Eylül / September Electriciteitsfabriek / Den Haag / TodaysArt Festival Electriciteitsfabriek : De Constant Rebecqueplein 20, 2518 RA Den Haag Açılış / Opening : 15 Eylül / September / 17.30h BEDEN-İŞLEMSEL SANATLAR DERNEĞİ BODY-PROCESS ARTS ASSOCIATION 113
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This Catalogue is published by BIS/
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Imprint / Impressum / Künye Common
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a project of | een project van | Pr
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N W S O
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Olof van Winden Geen goed of fout A
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EN NL TR Commons Tense Commons Tijd
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for the creation of another form of
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This exhibition consists of new wor
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y the hegemony of global capitalism
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22 Northkorea / Southkorea, “mark
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market downgrading national borders
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Gezamenlijke Tijden Over de culture
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vooroordelen, maar kan toch bepaald
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▸ Sergi ve sanat etkinliklerinde
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“The Cube (the3)”; Ekmel ERTAN
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special number of signs, but it als
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Fatih Aydoğdu Transversal Commons
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cognitieve maatschappij - is gaan v
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Sanatın dünyasıyla kendimizi, ke
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“Isofield”; Candaş Şişman
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Nettachments are dynamic, transform
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Nettachments zijn dynamische, trans
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Ne de olsa b(ağ)lar dinamik, dön
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“Commons Tense New Media Art From
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In 2006, Ekmel Ertan and Aylin Kale
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many international artists. Lately
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“Commons Tijd Nieuwe Media Arts u
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A. Kroker en H. Moravec en bijdrage
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Page 64 and 65: “Müşterekler Zamanı Türkiye
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Page 70 and 71: “I 70am an artist”; Bager AKBAY
Page 72 and 73: EN NL TR Bager AKBAY “I am an art
Page 74: Özlem ALKIŞ “Violation / İhlal
Page 78 and 79: Fatih AYDOĞDU “ERROR - Title Inc
Page 80 and 81: Mehmet ERKÖK “Digital Junkman”
Page 82 and 83: Ekmel ERTAN “theCube (the 3 )”
Page 84 and 85: Osman KOÇ The concurrent developme
Page 86 and 87: Nagehan KURALI & Selin ÖZÇELİK
Page 89 and 90: “Data Catchers”; Ebru KURBAK 89
Page 91 and 92: ing” our profiles and restraining
Page 93 and 94: Marked Territories: Syria-Turkey (2
Page 95 and 96: “Common-Itchy / Toplu Kaşıma”
Page 97 and 98: “Jason Shoe”; Onur SÖNMEZ & Ja
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Page 101 and 102: iographies biografieën biyografile
Page 103 and 104: Born in 1987 and currently living i
Page 105 and 106: Ertan has exhibited his photography
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Page 109 and 110: sculpturing and blacksmithing. Two
Page 111: on the biennale one step further an
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© 2012 | amberTXT / BIS ISBN 978-605-88807-7-1

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