© 2012 | amberTXT / BIS ISBN 978-605-88807-7-1

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a project of | een project van | Proje sahibi BEDEN-İŞLEMSEL SANATLAR DERNEĞİ BODY-PROCESS ARTS ASSOCIATION in cooperation of | in samenwerking met | Proje ortağı in frame of | in frame van | Proje çerçevesi
11–13 There is no right & no wrong Geen goed of fout Ne doğru var ne de yanlış INDEX Olof van Winden 14–21 24–32 34–42 Commons Tense | New Media Arts from Turkey Commons Tijd | Nieuwe Media Arts uit Turkije Müşterekler Zamanı| Türkiyeden yeni medya sanatı Ekmel Ertan & Fatih Aydoğdu Common Times | Cultural exchange between Holland & Turkey Gezamenlijke Tijden | Culturele uitwisseling Holland & Turkije Müşterek Zamanlar | Hollanda ile Türkiye arasında kültür alıŞveriŞi Deniz Erbaş Transversal | Commons Tense & antihegemonial tactics Transversale | Commons Tense & anti-overheersende tactieken Transversal | Müşterekler Zamanı ve hegemonya karŞıtı taktikler Fatih Aydoğdu 44–49 52–69 72–99 Nettachmental Art from Turkey Nettachmental Kunst uit Turkije Türkiye’den B(ağ)sal Sanat Commons Tense | New Media Arts from Turkey Commons Tijd | Nieuwe Media Arts uit Turkije Müşterekler Zamanı | Türkiyeden yeni medya sanatı Artists & Works | Exhibition Concepts Artiesten & Werken | Tentoonstelling Concepts Sanatçılar ve işleri | Sergi Konsept Metinleri Ebru Yetişkin Ekmel Ertan 102–111 Biographies | Artists, Authors Biografieën | Artiesten, auteurs Biyografiler | Sanatçılar, Yazarlar 9
Page 4 and 5: This Catalogue is published by BIS/
Page 6 and 7: Imprint / Impressum / Künye Common
Page 10 and 11: N W S O
Page 12 and 13: Olof van Winden Geen goed of fout A
Page 14 and 15: EN NL TR Commons Tense Commons Tijd
Page 16 and 17: for the creation of another form of
Page 18 and 19: This exhibition consists of new wor
Page 20 and 21: y the hegemony of global capitalism
Page 22: 22 Northkorea / Southkorea, “mark
Page 25 and 26: market downgrading national borders
Page 27 and 28: Gezamenlijke Tijden Over de culture
Page 29 and 30: vooroordelen, maar kan toch bepaald
Page 31 and 32: ▸ Sergi ve sanat etkinliklerinde
Page 33 and 34: “The Cube (the3)”; Ekmel ERTAN
Page 35 and 36: special number of signs, but it als
Page 37 and 38: Fatih Aydoğdu Transversal Commons
Page 39 and 40: cognitieve maatschappij - is gaan v
Page 41 and 42: Sanatın dünyasıyla kendimizi, ke
Page 43 and 44: “Isofield”; Candaş Şişman
Page 45 and 46: Nettachments are dynamic, transform
Page 47 and 48: Nettachments zijn dynamische, trans
Page 49 and 50: Ne de olsa b(ağ)lar dinamik, dön
Page 52 and 53: “Commons Tense New Media Art From
Page 54 and 55: In 2006, Ekmel Ertan and Aylin Kale
Page 56 and 57: many international artists. Lately
Page 58 and 59:
“Commons Tijd Nieuwe Media Arts u
Page 60 and 61:
A. Kroker en H. Moravec en bijdrage
Page 62 and 63:
Niet al deze artiesten komen vanuit
Page 64 and 65:
“Müşterekler Zamanı Türkiye
Page 66 and 67:
Böylelikle önemli bir yerel ağ d
Page 68 and 69:
Burak Arıkan Türkiye’nin en tan
Page 70 and 71:
“I 70am an artist”; Bager AKBAY
Page 72 and 73:
EN NL TR Bager AKBAY “I am an art
Page 74:
Özlem ALKIŞ “Violation / İhlal
Page 78 and 79:
Fatih AYDOĞDU “ERROR - Title Inc
Page 80 and 81:
Mehmet ERKÖK “Digital Junkman”
Page 82 and 83:
Ekmel ERTAN “theCube (the 3 )”
Page 84 and 85:
Osman KOÇ The concurrent developme
Page 86 and 87:
Nagehan KURALI & Selin ÖZÇELİK
Page 89 and 90:
“Data Catchers”; Ebru KURBAK 89
Page 91 and 92:
ing” our profiles and restraining
Page 93 and 94:
Marked Territories: Syria-Turkey (2
Page 95 and 96:
“Common-Itchy / Toplu Kaşıma”
Page 97 and 98:
“Jason Shoe”; Onur SÖNMEZ & Ja
Page 99 and 100:
the “physical” and “digital
Page 101 and 102:
iographies biografieën biyografile
Page 103 and 104:
Born in 1987 and currently living i
Page 105 and 106:
Ertan has exhibited his photography
Page 107 and 108:
on architectural projections and in
Page 109 and 110:
sculpturing and blacksmithing. Two
Page 111 and 112:
on the biennale one step further an
Page 113 and 114:
Sergi / Exhibition: 15-30 Eylül /
Page 115 and 116:
115
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© 2012 | amberTXT / BIS ISBN 978-605-88807-7-1

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